On their current single ‘Ease Up’, The Astronauts deliver an unashamed love letter to the early 90s. From the moment the main melody hits, the layers of sound tap into a heavy indie/shoegaze sound that’s unmistakeably retro. The tune is also massively appealing, but it’s likely to require three or four listens before this becomes really obvious.
Tag Archives: indie
Listen: Real Gone’s New Release Round-Up, July-September 2025
As we head into the final quarter of 2025, it’s time to take a moment to look back over the past few months. It’s been a great time for new releases — especially on an underground level — and, as a result, we’ve been insanely busy at Real Gone.
Watch: Tooth Gore shares new video for ‘The Lighthouse’
Following a string of rather varied sounding digital singles – kicking off with ‘Spilled Milk’ in September 2024 – one man band Tooth Gore released his long awaited ‘For Losers…By Losers’ album in June 2025. It didn’t disappoint. Taking in elements of surf rock, noisy indie, melodic punk and a couple of other retro twists, the album showcased an artist will a brilliantly malleable talent.
THE REAL GONE SINGLES BAR #122
Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox. This time out, we’ve got a familiar name taking a new musical twist, a couple of genuinely great pop tunes, a complex metal-centric banger from an up and coming act, and even a bit more jazz. Celebrating a variety of new sounds, we hope you find something to enjoy!
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AVERY FRIEDMAN – New Thing
Brooklyn’s Avery Friedman only began playing live shows in 2024, and didn’t spend years honing her sound before the recording and release of her 2025 debut ‘New Thing’, so the album’s songs still have an element of freshness and occasional naivete. You couldn’t call the material raw, though, or even suggest its potential has been sold short in any way. The best of the record’s eight songs represent brilliantly crafted indie pop, often sharing a sound that’s much older than Friedman’s years, but everything is presented in a hugely confident manner.