Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have been submitted over the previous few weeks. This time around, there’s some perfect dream pop/indie sounds, a huge stoner friendly piece of deep psych with a heavy edge, some AOR, a superb track with a jazz influenced vocal…and more besides. As always, we hope you find something new to enjoy!
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During the last quarter of 2025, desert rock duo ‘SoftSun’ released their second album ‘Eternal Sunrise’. Since their debut LP was a near flawless slice of deep psych infused desert/stoner, there was a great deal riding on ‘Eternal Sunrise’ in terms of overall quality, but it’s fair to say that it was everything fans of the debut could’ve hoped for.
It’s not been long since Oreyeon released their ‘Echoes of Old Nightmares’ single, which re-introduced the Italian doom band to many in classic style. Across that track’s four and a half minutes, the musicians cranked their way through a selection of fuzzy riffs that sometimes sounded like Clutch in a really bad mood, often bringing a melodic charm to their weighty sound. It would be more than fair to suggest the track would appeal to those who love all manner of stoner rock as well as classic doom.
On their 2019 LP, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.
In the year leading up to this album’s release, guitarist Gary Arce kept himself more than busy. With the other members of Yawning Man, he released a third album of improvised material with Yawning Balch, two albums of fantastic material under the name SoftSun with Superlynx’s Pia Isaaksen, and also worked with Big Scenic Nowhere, a doomy stoner band which also featured Yawning Man’s Bill Stinson and Fu Manchu/Yawning Balch guitarist Bob Balch.
Regardless of his many activities, for most, it’ll be his associations with desert rock band Yawning Man that spring to mind first, despite their output being rather sporadic. The band’s eighth studio record ‘Pavement Ends’ finds Arce in great musical form, and following 2023’s ‘Long Walk of The Navajo’ takes a welcome step back towards shorter and more accessible arrangements.