On their 2019 LP, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.
Tag Archives: heavy psych sounds
YAWNING MAN – Pavement Ends
In the year leading up to this album’s release, guitarist Gary Arce kept himself more than busy. With the other members of Yawning Man, he released a third album of improvised material with Yawning Balch, two albums of fantastic material under the name SoftSun with Superlynx’s Pia Isaaksen, and also worked with Big Scenic Nowhere, a doomy stoner band which also featured Yawning Man’s Bill Stinson and Fu Manchu/Yawning Balch guitarist Bob Balch.
Regardless of his many activities, for most, it’ll be his associations with desert rock band Yawning Man that spring to mind first, despite their output being rather sporadic. The band’s eighth studio record ‘Pavement Ends’ finds Arce in great musical form, and following 2023’s ‘Long Walk of The Navajo’ takes a welcome step back towards shorter and more accessible arrangements.
WITCHCRAFT – IDAG
Five years on from their lockdown release, ‘Black Metal’, which saw Witchcraft trading in their trademark stoner riffs for a bleak, stripped down occult folk sound, and almost a decade after the release of the brilliant ‘Nucleus’, the Swedes play things fairly safely on their 2025 long player ‘IDAG’. In this case, though, the feeling of safety has its own strength: founding member Magnus Pelande sounds more comfortable than ever working within a classic doomy metal format, and for the band’s fans, this return to a more “classic” Witchcraft sound will certainly present a welcome move, even if in some ways it feels like a step backwards.
YAWNING BALCH – Volume Three
The first two albums by Yawning Balch – the side project featuring members of Yawning Man with Fu Manchu guitarist Bob Balch – yielded some fabulous music. The lengthy, improvised jams filled a pair of records with brilliant, almost ambient desert rock sounds; a whole world of sonic textures that really capture a moment, but really allow listener to be really drawn in by the band’s almost cinematic qualities.
SLOWER – Rage And Ruin
Formed as a vehicle for playing Slayer classics at a doom metal tempo, Slower had the potential to be the greatest “novelty” band ever. They were smart, though: once you’d got past the amusement of hearing some of your favourite speed-oriented metal bangers played as funereal dirges, their debut album held up on its own merits. Fu Manchu man Bob Balch and members of Kylesa, Monolord and Year of The Cobra each bought their own unique talents to the project, and each of the tracks played out like the ultimate in classic doom and sludge fare. The result certainly wasn’t what Tom Araya had envisaged, but it was fantastic to hear a new twist on the classics.