Tag Archives: hard rock

REBEL PRIEST – Lesson In Love EP

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Canadian rockers Rebel Priest made their first breakthrough in 2015 with a self titled album that introduced listeners to their world of sleazy riffs, combining elements of old school metal, bluesy rock and no-nonsense grubbiness. The following years saw the band sharing stages with Lordi and Diamond Head, and their work likened to AC/DC, Guns N’ Roses and Motley Crue, despite not always sounding too obviously like some of those legendary acts.

Their 2022 release ‘Lesson In Love’ continues their unashamed voyage through a world of dirty riffs, sleazy lyrics and – as you might suspect from a release with an arse on the cover, painted blue or otherwise – old fashioned rock ‘n’ roll attitudes. For those who loved them previously, the short four song assault will bring plenty to love; for those not enamoured with the retro rock sound and attitude, obviously, the chances of being won over are slim to none.

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BLOODY HEELS – Rotten Romance

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Latvian rockers Bloody Heels began carving themselves a niche within the hard rock scene in 2012, but it was only with the release of their third record ‘Ignite The Sky’ that they really attracted wider attention. That album, their first for Frontiers, potentially placed them in the hard rock ranks alongside Hell In The Club, and really upped the ante with regards to their chorus writing. It was all very old fashioned, but that, in many ways, was the whole point. Their celebration of all things big haired and carefree actually created a great tribute to the hard rock glory days of 1987-1991, and as such, attracted a keen audience who still wanted to hear old school rock churned out with a real enthusiasm.

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HELL IN THE CLUB – Kamikaze (10 Years In The Slums) EP

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Since their arrival on the hard rock scene in the early ’10s, Hell In The Club have demonstrated an obvious knack for sleazy, old fashioned “hair metal”. Formed by a couple of musicians with links to European prog metal bands, it began as a way to have fun, but quickly became far more than a side project. Even at the point where you’d think HITC’s retro schtick would have run out of steam, on their 2020 release ‘Hell of Fame’, they sounded as good as ever, showing that they were still capable of delivering fantastic riffs and massive, cheesy chorus hooks. In some ways, their carefree, non-political approach, and willingness to convey a party spirit was exactly what was called for to distract everyone from those early Covid ridden times.

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FASTER PUSSYCAT – Babylon: The Elektra Years 1987-1992

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Before the arrival of grunge, the US was awash with sleazy bands sporting huge hairstyles and huge attitudes. Guns N’ Roses would go on to achieve world domination, and MTV made huge stars out of many others, including Ratt, Motley Crue and Poison. For every band that hit the big time, of course, there were many that didn’t achieve quite the same levels of success. Kik Tracee, Tuff, and Jetboy were bands that very much fell into this category, along with LA’s Faster Pussycat, but even these “also rans” gained more than their fifteen minutes of fame at the height of the music television boom.

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MAGNUM – The Monster Roars

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Following the release of their ‘Princess Alice & The Broken Arrow’ album in 2007, Magnum settled into a vein of huge, sometimes bombastic melodic rock that carried a little more of a European flavour than the sounds of their eighties peak. The songs became bigger, longer, even more narrative, and although the hooks weren’t always as immediate as the best parts of the beloved ‘On A Storyteller’s Night’ or ‘Vigilante’, at their heart, there was always something “distinctively Magnum”. Obviously, this had much to do with Tony Clarkin’s song writing, having written the lion’s share of everything since the 70s, but Bob Catley’s friendly vocal presence could never be undervalued. Over the years, other band members came and went – each one bringing something great and different to the Magnum sound – but it was often the work of these two creative friends that kept the heart of the band pumping, much to the delight of fans.

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