Tag Archives: pomp

MAGNUM – Live At KK’s Steel Mill

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In January 2024, much loved British rockers Magnum released their twenty third studio album ‘Here Comes The Rain’. The record captured a typical sound for the veteran band, but mixed the huge pomp sounds of later releases like ‘The Serpent Rings’ with more of the commercial AOR elements of their late 80s work, making it feel a little more well rounded than some of the latter day Magnum releases. The record, although hugely enjoyable, was surrounded by sadness: just a few days before release, founding guitarist and songwriter Tony Clarkin passed away, effectively making ‘Rain’ a poignant swansong.

The deluxe edition of the album was packaged with a full length live DVD – ‘Live At KK’s Steel Mill’ – featuring what was to be Clarkin’s final gig with the band. Fans, naturally, loved this show, but many hoped for an audio release to fill out their already extensive collections. In January 2025, they would get their wish.

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TEN – Here Be Monsters

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Ever since their arrival on the melodic rock scene in the 90s, Ten have always been synonymous with making “big” sounds. With its combination of huge vocals, even bigger guitar sounds and a genuine sense of grandeur, their self titled debut quickly asserted itself as one of the classics of the era, and the musical marriage between Gary Hughes (vocals) and ex-Dare guitarist Vinny Burns proved to be an ambitious, yet very natural union. Their third album, ‘The Robe’ , a concept album centring around Egyptian mythology, set the bar even higher in terms of ambition, and for a time, it seemed like a recording the band would never top. Nevertheless, they trucked on, and their ever fluctuating line-up (which at one point included Kent based talent Chris Francis filling Vinny’s huge musical shoes) continued to record distinctive, bombastic albums that thrilled fans across Europe.

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MAGNUM – The Monster Roars

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Following the release of their ‘Princess Alice & The Broken Arrow’ album in 2007, Magnum settled into a vein of huge, sometimes bombastic melodic rock that carried a little more of a European flavour than the sounds of their eighties peak. The songs became bigger, longer, even more narrative, and although the hooks weren’t always as immediate as the best parts of the beloved ‘On A Storyteller’s Night’ or ‘Vigilante’, at their heart, there was always something “distinctively Magnum”. Obviously, this had much to do with Tony Clarkin’s song writing, having written the lion’s share of everything since the 70s, but Bob Catley’s friendly vocal presence could never be undervalued. Over the years, other band members came and went – each one bringing something great and different to the Magnum sound – but it was often the work of these two creative friends that kept the heart of the band pumping, much to the delight of fans.

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DENNIS DEYOUNG – 96 East: Volume 1

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Beloved by many within the melodic rock community, Dennis De Young is someone worthy of being called a legend. His years spent recording with pomp rock legends Styx gave the world a handful of classic albums. His on/off solo career also brought big success in the US, with his 1983 album ‘Desert Moon’ being highly praised. He even wrote a musical based on The Hunchback of Notre Dame. In terms of a career, after fifty years, he’s pretty much done it all.

All good things must come to an end and with his ’26 East’, Dennis closes his half-century in the spotlight the best way he knows how. Few would have the balls to say goodbye with a double volume of autobiographical material (except, perhaps, Neal Morse), but DeYoung makes such an indulgent concept seem like a fitting epitaph.

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MAGNUM – Magnum II

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Magnum’s debut album ‘Kingdom of Madness’ had a long and somewhat difficult birth. An album had been completed by the end of 1976, but for reasons best known to themselves, the Jet Records label sat on the tapes. Magnum continued to write new material and gig constantly, and subsequently, the album was given an overhaul. A few older tracks were sidelined for newer songs and a rejigged long-player eventually appeared on record shop shelves in August 1978. This possibly didn’t help the album’s fortunes in the short term; instead of being released at a time when the record’s prog and pomp styles were still in vogue, Magnum were left with a fantasy themed album drifting in the unsure waters of punk and new wave bands. It only scraped the UK album chart’s top 60.

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