THE RIVEN – The Riven

On their debut EP ‘Blackbird’, The Riven showed a lot of promise. With a fusion of hard rock and blues, the EP presented five songs with an old fashioned spirit and some great vocals, but was rather let down by its recording budget. Sadly, tunes that deserved a huge crunch were all too often left feeling a little muddy.

A lot happened over the next couple of years. The band relocated from London to Sweden, played live shows, gained a recording deal with The Sign Records [home to Wheel In The Sky, Highrider and Grande Royale] and then decamped to Spain to record a full length album.

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Watch: The Riven unveil new lyric video ahead of album release

Swedish retro rockers The Riven are set to return on March 1st with their new self-titled opus.  ‘The Riven’ follows 2017’s ‘Blackbird’ EP and is better in almost every respect.

Fans of the EP can expect similar 70s influenced sounds on the upcoming full-length, only this time, the great riffs are complimented with better songwriting and much better production values.  The album is a hard rock highlight of 2019’s first quarter.

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WEST BOUND (feat. Chas West) – Volume 1

Chas West will be familiar to most listeners as having been the vocalist for Bonham, as well as fronting Craig Goldy’s short lived band Resurrection Kings. With regards to the latter, West always felt like the weak link. A band that included Goldy and drummer Vinny Appice could never be all bad, but West’s tendencies to sing everything at full volume made the album hard going in places.

Two years on, West Bound finds Chas working with cult hero Roy Z, a man best known for his work with Bruce Dickinson in the 90s as well as being a key member of Tribe of Gypsies. Throughout this debut, West still approaches many of the songs at full pelt and with maximum metal theatrics, but with much better material to hand and with Z’s having a more sympathetic style, it’s more obvious why he’s been in demand as a session vocalist in the past. In this case, West’s overblown style combined with Z’s vast array of riffs actually results in a great album.

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The Venus Reaction to release new 7″ in March

Plane Groovy Records were well ahead of the curve with regards to any kind of vinyl revival.  Long before the retro format had a huge presence in HMV and before Record Store Day became a cash-cow on the record buyers’ calendar, the UK label was championing the format with high quality pressings of cult titles.  They provided the only physical format for the first Strange Majik album and were responsible for bespoke, limited pressings of Big Big Train albums and more besides.

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GIOELI-CASTRONOVO – Set The World On Fire

Take two two key members of the original Hardline, the guitarist from Italian melodic rock band Hungryheart and a bunch of strong chorus driven songs and you have a more than reasonable recipe for AOR success. Johnny Gioeli’s delivery can sometimes err on the side of being too bombastic, but in comparison to some of his peers, he still possesses a voice that holds up and when teamed with Hardline/Journey drummer Deen Castronovo, he sounds better than ever. It’s that sense of drive that gives this release most of its strength. After just one full listen, it’s obvious ‘Set The World On Fire’ has no real filler material; it’s dozen rockers so often play like a greatest hits of the best bits from the Frontiers Records catalogue from 2011-2016 and for that alone, so many AOR buffs will consider it an essential addition to their ever growing collections. It’s unlikely to be at all far reaching beyond those whom already consider themselves fans of the musicians involved, but in many ways, to expect more would be kind of beside the point. For what it does – at least in terms of songwriting and performance – this is a great record.

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