HELL IN THE CLUB – Kamikaze (10 Years In The Slums) EP

Since their arrival on the hard rock scene in the early ’10s, Hell In The Club have demonstrated an obvious knack for sleazy, old fashioned “hair metal”. Formed by a couple of musicians with links to European prog metal bands, it began as a way to have fun, but quickly became far more than a side project. Even at the point where you’d think HITC’s retro schtick would have run out of steam, on their 2020 release ‘Hell of Fame’, they sounded as good as ever, showing that they were still capable of delivering fantastic riffs and massive, cheesy chorus hooks. In some ways, their carefree, non-political approach, and willingness to convey a party spirit was exactly what was called for to distract everyone from those early Covid ridden times.

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FASTER PUSSYCAT – Babylon: The Elektra Years 1987-1992

Before the arrival of grunge, the US was awash with sleazy bands sporting huge hairstyles and huge attitudes. Guns N’ Roses would go on to achieve world domination, and MTV made huge stars out of many others, including Ratt, Motley Crue and Poison. For every band that hit the big time, of course, there were many that didn’t achieve quite the same levels of success. Kik Tracee, Tuff, and Jetboy were bands that very much fell into this category, along with LA’s Faster Pussycat, but even these “also rans” gained more than their fifteen minutes of fame at the height of the music television boom.

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MAGNUM – The Monster Roars

Following the release of their ‘Princess Alice & The Broken Arrow’ album in 2007, Magnum settled into a vein of huge, sometimes bombastic melodic rock that carried a little more of a European flavour than the sounds of their eighties peak. The songs became bigger, longer, even more narrative, and although the hooks weren’t always as immediate as the best parts of the beloved ‘On A Storyteller’s Night’ or ‘Vigilante’, at their heart, there was always something “distinctively Magnum”. Obviously, this had much to do with Tony Clarkin’s song writing, having written the lion’s share of everything since the 70s, but Bob Catley’s friendly vocal presence could never be undervalued. Over the years, other band members came and went – each one bringing something great and different to the Magnum sound – but it was often the work of these two creative friends that kept the heart of the band pumping, much to the delight of fans.

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LAND OF GYPSIES – Land Of Gypsies

Best known as the singer with melodic hard rockers XYZ, Terry Ilous is blessed with a fantastic set of vocal pipes. His recorded output mightn’t be as extensive as many of his peers, but you can usually rely on him for a great album. The Bridger release from 2012 is the only possible exception to this rule, and even then, that was no fault of Terry’s; he often did his best with the largely unremarkable material, even if he sometimes sounded understated compared to his former self.

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Watch the new video from Scattered Hamlet

They may not be the biggest name on the rock scene, but Scattered Hamlet have been making some very chunky (and very retro) sounds for a decade.  The US band mix classic hard rock, swampy attitude and big hooks to create something that sounds occasionally like a blend of the lighter end of Zakk Wylde meeting with the more melodic strains of Corrosion of Conformity or, perhaps, a throwback to the days of Roadsaw colliding with a classic rock sound.

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