Tag Archives: garage rock

A BUNCH OF JERKS – The Dead EP

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If you’re the kind of person who always expects musical perfection, Boston garage rockers A Bunch of Jerks just won’t be for you. Since their inception, the band have always championed a ragged style: their sound is often driven by an overly loud drum kit; there are never any attempts made to fix any wobbly vocal moments and, generally, you get the feeling the band put the same level of care into their recordings as they put into their frankly terrible choice of band name. Regardless of their trashy aesthetic, they’ve plugged on and won fans and supporters – not least of all from the bands within the Rum Bar family – and by 2020, they seemed to have a fairly solid online presence.

Their ‘White Girl Wasted’ digital EP – released in March ’20 – provided a reasonable snapshot of their no-frills style, presenting front-woman Stabby’s vocals high in the mix on a couple of raw, self-penned tunes. The free download also gave a welcome look into their broad world of influences via a spirited (but somewhat unfussy) cover of The Rezillos’ ‘Flying Saucer Attack’ which showed bassist Bat to be a pleasingly muscular player.

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RIVERBOAT GAMBLERS – Ramotorhead EP

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It may come some nine years after The Riverboat Gamblers’ last full length album, and a lengthy five years since the release of their last 7” single, but this comeback disc from the Texan punks is everything fans could hope for. Not only does it capture the band combating a selection of great riffs at full pelt, but it comprises material that even a non-fan would recognise a mile off. It’s a win-win on all fronts.

As more than hinted at by the title, this release features the Gamblers turning their hands to covers by the legendary Ramones and the just as legendary Motorhead. Two bands that seem quite different, and yet, are great bedfellows due to their love of speed and simple, direct riffs.

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Gunslingers – Live At The Butchers Shoppe, Boston, April 7th 2010

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Gunslingers were a band who just instinctively knew how to make a ferocious noise.  From their inception through to their split in 2012, the band constantly pushed the boundaries of garage rock, garage punk and no wave/rock in the name of their art.

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INDONESIAN JUNK – Living In A Nightmare

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Since their debut album appeared in 2016, Milwaukee’s Indonesian Junk have remained quite prolific. Following that release they cranked out a new record every year – each one better than the previous – up until the release of ‘Spiderbites’ in 2019. Although still raw, ‘Spiderbites’ contained many of the band’s best songs to date; the CBGB’s inspired garage punk sound they’d been slowly cultivating reached full maturity, and they could legitimately claim to be true successors to bands like New York Dolls and the Dead Boys.

Prior to its release in March 2021, their fourth album proper (not counting the EPs and the excellent rarities comp ‘A Life of Crimes’) attracted a bit of an early buzz among the band and label’s followers. People seemed keen for a strong follow up, but more than that, the promise of a couple of guests immediately seemed to set the album in a position of strength. …And indeed, the lead single, ‘Type of A Girl’ (used wisely to open the album itself) confirmed most people’s hunches that – despite some wobbly beginnings – Indonesian Junk were in top form and had approached the new record much in the same way as ‘Spiderbites’ and that ‘Living In A Nightmare’ would be an album big on hooks.

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BEEBE GALLINI – East Side Story EP

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Despite being a new band at the time of this release, Beebe Gallini features a few familiar faces from the garage rock scene. Miss Georgia Peach (vox/rhythm guitar) and Travis Ramin (lead guitar/drums) of the Minneapolis band The Short Fuses have joined forces with Strumpet bassist Amy Larson Pearson, but in many ways, this side project is far more than an extension of their previous work. In fact, although first impressions may suggest something more ragged, Beebe Gallini are still broad in appeal. Their five track digital affair ‘East Side Story’ is a fun but ragged affair. Despite any potential roughness, it’s a great showcase for the band in that it shows a massive respect for the past with a couple of top notch covers, and also an optimism for its future with a couple of self-penned rockers that cling onto a similar style. By combining new material and old classics, they truly aim to pull in listeners from far and wide.

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