Bringing together four unreleased tunes by The Rizzos and Top Nachos, this split release from King Pizza Records is a fine DIY recording. Split releases are a good way of introducing people to new bands and for Top Nachos the opportunity to appear alongside The Rizzos is definitely a chance for the Queens-based, self-proclaimed “silly-core” band to build upon their following. For extant fans of The Rizzos, of course, a purchase of this release will be a no-brainer. It has something a bittersweet feel, too, presenting both an end and a beginning: the Rizzos’ tracks are the last to feature drummer and founding member Bettina Warshaw while, for most listeners, the release will provide a first time exposure to the rather juvenile world of Top Nachos and their occasional cardboard headgear, fascination with junk food and unfashionable facial hair.
Spanish garage rockers Los Chicos can count the Kurt Baker Combo‘s Juancho Lopez and Rum Bar Records’ head honcho Malibu Lou among their fans, but soon, they’ll gain a larger fan base outside of their home country when a compilation of their best tracks will get a long overdue US release.
If you’re the kind of person who always expects musical perfection, Boston garage rockers A Bunch of Jerks just won’t be for you. Since their inception, the band have always championed a ragged style: their sound is often driven by an overly loud drum kit; there are never any attempts made to fix any wobbly vocal moments and, generally, you get the feeling the band put the same level of care into their recordings as they put into their frankly terrible choice of band name. Regardless of their trashy aesthetic, they’ve plugged on and won fans and supporters – not least of all from the bands within the Rum Bar family – and by 2020, they seemed to have a fairly solid online presence.
Their ‘White Girl Wasted’ digital EP – released in March ’20 – provided a reasonable snapshot of their no-frills style, presenting front-woman Stabby’s vocals high in the mix on a couple of raw, self-penned tunes. The free download also gave a welcome look into their broad world of influences via a spirited (but somewhat unfussy) cover of The Rezillos’ ‘Flying Saucer Attack’ which showed bassist Bat to be a pleasingly muscular player.
It may come some nine years after The Riverboat Gamblers’ last full length album, and a lengthy five years since the release of their last 7” single, but this comeback disc from the Texan punks is everything fans could hope for. Not only does it capture the band combating a selection of great riffs at full pelt, but it comprises material that even a non-fan would recognise a mile off. It’s a win-win on all fronts.
As more than hinted at by the title, this release features the Gamblers turning their hands to covers by the legendary Ramones and the just as legendary Motorhead. Two bands that seem quite different, and yet, are great bedfellows due to their love of speed and simple, direct riffs.
Gunslingers were a band who just instinctively knew how to make a ferocious noise. From their inception through to their split in 2012, the band constantly pushed the boundaries of garage rock, garage punk and no wave/rock in the name of their art.