Released as a stop gap between demo recordings and entering the studio to record something properly, this EP from Edinburgh based singer-songwriter Faith Eliott was recorded live to tape in one afternoon at The Happiness Hotel in Leith. Although Faith recorded these tracks quickly and out of necessity (in her own words, “to archive songs that have been disappearing from setlists”), the organic nature of the recordings really brings out the best in her songs. For here are four tracks that are hugely professional and yet still retain a little of that spirit that lots of great acoustic music needs if it is to remain true to its roots. Various studio overdubs could have made these songs fuller, but not necessarily better.
Tag Archives: folk
MASON SUMMIT – Gunpowder Tracks
For a man of just nineteen years of age at the time of recording this third album, Mason Summit’s songwriting ability stretches way beyond his years. On these twelve songs he applies his craft to retro sounds aplenty, on songs that span AM radio pop, country and occasional jazziness. In doing so, he comes up with a winning formula that should appeal to those who like their music to have a familiar echo of the past. Of all the superb qualities that ‘Gunpowder Tracks’ possesses, however, it is the over-riding sense of warmth that wins out and really makes the album so inviting.
VINCENT CARR’S SUMIC – Rekindled
Approaching the writing and recording of his fifth album, Vincent Carr stumbled across that age old problem all artistes face, whether a musician or writer: that potential stumbling block being, in his own words, “how to remain true to yourself, without repeating yourself”. With that in mind, although largely instrumental, ‘Rekindled’ almost feels thematic in its aim to reconnect; it’s music has a slow burning retro style that celebrates a love of things with an old spirit, while simultaneously looking at things afresh.
THE LOW ANTHEM – Oh My God, Charlie Darwin
‘Oh My God, Charlie Darwin’ is the second (proper) release by the Rhode Island based folk/Americana trio The Low Anthem. It doesn’t always sound like an album which is capable of reaching huge audiences, but with the resurgence of traditional sounding music which happened throughout the late 00s, it has the air of an album which needed to be recorded. The playing throughout is very natural, which alone creates a rootsy, homegrown feel. Essentially, what we have here is an album of tunes to fill the empty space during cold and dark autumnal nights: songs which are often reflective and occasionally whiskey filled.
STUART MASTERS – Mystic Blue & The Black Balloon
A virtuoso of the acoustic guitar, Stuart Masters creates a sound that’s been likened to Nick Drake and Syd Barrett. It seems odd that so many artistes would be compared to Barrett, given that his rather scant post-Floyd output borders on the disturbing. Aside from just about managing to string a few chords together, Barrett could all too often be heard mumbling through nonsensical lyrics he seems to only barely remember. This fourth release from Masters, the wonderful ‘Mystic Blue & The Black Balloon’, is nothing like Syd. It’s sometimes possible to hear why comparisons have been made to Drake, however, for Stuart is very fond of a finger picked style and almost pastoral moods – but the combination of his dexterous playing, loops and layered approach to most things is sometimes closer in spirit to another guitarist…and one from more recent times. It might be fair to say that fans of Matt Stevens will find an instant kinship with Masters and his complex soundscapes.