A virtuoso of the acoustic guitar, Stuart Masters creates a sound that’s been likened to Nick Drake and Syd Barrett. It seems odd that so many artistes would be compared to Barrett, given that his rather scant post-Floyd output borders on the disturbing. Aside from just about managing to string a few chords together, Barrett could all too often be heard mumbling through nonsensical lyrics he seems to only barely remember. This fourth release from Masters, the wonderful ‘Mystic Blue & The Black Balloon’, is nothing like Syd. It’s sometimes possible to hear why comparisons have been made to Drake, however, for Stuart is very fond of a finger picked style and almost pastoral moods – but the combination of his dexterous playing, loops and layered approach to most things is sometimes closer in spirit to another guitarist…and one from more recent times. It might be fair to say that fans of Matt Stevens will find an instant kinship with Masters and his complex soundscapes.
Tag Archives: folk
HOUSE ABOVE THE SUN – House Above The Sun EP
In 2014, the London-based DIY blues-rock outfit The Healing released their debut EP ‘Childhood Home’. A year later, three quarters of the band resurfaced under the name House Above The Sun, seemingly having had a musical rethink. While still recognisable as the core of the same band, House Above The Sun favour a much rootsier sound, placing vocalist Jim Moreton’s voice over music that’s arguably more thoughtful than before.
LEWIS & LEIGH – Hidden Truths EP
Let’s not mess around here: fans of Americana will be absolutely smitten after just one listen to this EP from alt-country duo Lewis & Leigh. Their third release in under a year, ‘Hidden Truths’ has a heart wrenchingly gorgeous sound, bringing a perfect blend of country and folk, with a smidgeon of a Wilco-ish influence in the guitar department. Coming together from solo projects, hearing Alva Leigh and Al Lewis harmonise is to hear something natural and pure – voices that belong together as much as Lindsey Buckingham and Stevie Nicks, as Gram Parsons and Emmylou Harris, and these four songs have the natural flow of performers who sound as if they’ve been playing together for years. The fact that at the time of this release Al Lewis and Alva Leigh had only been writing and performing together for a short time only makes ‘Hidden Truths’ all the more remarkable.
MOCK DEER – How We Used To Live EP
Mock Deer is a London based duo specialising in stripped down, DIY alt-folk sounds. Their second release, 2015’s ‘How We Used To Live’, recorded with members of Dead Flowers, is a sometimes low-key and often thoughtful affair. Its four songs almost place the listener in the middle of Mock Deer’s studio space, the recordings bring a natural live sound; it almost feels as if it’s allowing us access on private time as the musician spins timeless yarns with a smart, no frills musical backdrop.
ZERO SHE FLIES – The River EP
Zero She Flies is a folk-rock band from Bristol formed from the ashes of pop-rock outfit Mermaid Kiss and although all three members had been involved with the previous band at various stages, the first recordings from ZSF feel very much like a new beginning. The band made their debut in May 2015 with standalone track ‘Small Mercy’, giving listeners a fair idea of what to expect from upcoming material. Their first EP, ‘The River, released a couple of months later, features four tracks associated with water, thus making it a concept release of sorts. That’s concept in a “linking theme” sense as opposed to carrying a definite narrative stretched out to its thinnest point over a double elpee, so those looking for more Broadway lambs, walls built from arrogance and general pomposity can swiftly move along… Stoking up the folk elements, on these four numbers, Zero She Flies often carry sparkles of Caravan and Renaissance, but always with their own twist, and it would be fair to say that listeners who enjoy the occasional folky lilt and a strong female voice will find an affinity within at least three of these four tunes.