1968 – Ballads Of The Godless

At the very beginning of 2016, a doom-blues/stoner trio crawled from the wilds of Cheshire and into the ears of an unsuspecting audience. Amping the blues much further than most had dared, their debut EP presented a cornucopia of heavy riffs; their music a fuzzy love letter to metal’s founding fathers. Almost twelve months later, that EP remained almost unsurpassed, marking a place among the year’s finest metal achievements. A year on, the band signed with Black Bow Records – home to Bast and Mammoth Weed Wizard Bastard – for a well received follow up.

2018’s ‘Ballads of The Godless’ – released through HeviSike Records is, well, heavy. Sometimes drainingly so. However, if you’ve already been acquainted with the 1968 sound, the album brings forth plenty of superb riffs; riffs which, when dressed in the band’s signature sludgy sound, have a timeless appeal. Timeless, of course, if you like Orange Goblin, Electric Wizard, Sloburn and Slomatics. As before, if you’re able to see through the heaviness, it also includes some fine, blues tinged sounds that – thanks to a very old-fashioned production style – are a welcome nod to a world of fuzzy analogue grooves in an all too digital age.

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ALLFATHER – And All Will Be Desolation

In 2016, Allfather unleashed ‘Bless The Earth With Fire’, a hulking brute of an album that valued riffs over chorus hooks, resulting in a record that presented the very best in sludge metal recorded on a DIY budget. Extensive gigging followed, including bills shared with the mighty Morag Tong. Over the next eighteen months, the Kentish band drove big riffs into peoples’ skulls from small stages whilst simultaneously teasing about working on new studio material.

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PINK COCOON – Alienation

For the purposes of this studio recording, Montreal’s Pink Cocoon isn’t a band, but the work of multi-instrumentalist Zolla Marc. He’s a man who cites a fairly diverse selection of rock and blues acts among his influences, ranging from the predictable Black Sabbath and Electric Wizard, to the more unexpected – quite often, metal based performers won’t take time out to praise Robin Trower, especially when praise for Hendrix seems likely to get more attention. He also name-checks The Distillers and The Pretty Reckless among bands who’ve helped shape his playing and sound. For most stoner practitioners, the musical sphere starts with the first four Sabbath albums, moves into Hawkwind and then goes back to Sabbath’s ‘Never Say Die’…y’know, for variety, so while you’d be hard pushed to hear the influence from Brodie Dall or Taylor Momsen on this debut release, it’s still thrilling to know Zolla isn’t stuck in a musical rut.

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NAISIAN – Rejoinder EP

‘Rejoinder’ ends a five year haitus for Naisian, but after a minute or so of hitting the play button on their 2018 EP, it seems almost as if the Sheffield metallers have never really been away. The three tracks that make up this absolutely devastating EP come loaded with heaviness, bringing forth a swampy and sludgy sound that often makes the Melvins and Goatsnake sound like mere lightweights.

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Sludge metal band Naisian return after five years; new EP out soon

Following a five year hiatus, Sheffield doom/sludge metal band Naisian have returned…and they’re ready to destroy you.  A new EP, ‘Rejoinder’, is released on July 6th and is everything you ever wanted from the band.  It’s got some of the biggest riffs this side of the new Morag Tong album.

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