Hearing the opening notes of this debut full-length LP from Canadian stoner rock band 88 Mile Trip has the unfortunate effect of making the listener want to turn off the disc in an instant. Frontman David Bell delivers the opening verse of ‘The Repressed’ a cappella style which, quite frankly, isn’t the best move. His huge voice has a natural tone, but much like hearing Glenn Danzig bellowing with no sense of occasion or restraint, in terms of over-singing, it’s incredibly overbearing. He wails through each word at full volume and really it’s not easy to listen to. Maybe the band wanted to make a statement and chose such uncompromising beginnings deliberately, but there’s also every chance that Bell isn’t quite the vocalist he aspires to being.
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AVERSION – Aversion
Four years after their formation, Canadian black metal troupe Aversion unleashed their debut release in the summer of 2015. Released two years after a demo, this record still has a very demo-like feel by black metal standards. With a sound that’s never going to win over a huge audience to begin with, the rough and ready feel this album has, Aversion seem set on keeping their audience somewhat selective, but looking beyond that, there’s some reasonable playing.
HARROW – Fallow Fields
This third album by Canadian outfit Harrow is a very interesting affair. Although principally pitched as a hybrid of black and folk metal, the resultant sounds on their 2015 release stretch much further than just those musical touchstones. Taking in acoustic and even shoegazy moods, it could be said that Harrow’s take on folk metal doesn’t always the most obvious route.
Where Giants Once Stood: upcoming gigs
Canadian metalcore band Where Giants Once Stood have confirmed a short run of shows in support of their upcoming EP ‘Live Above’ due on September 2nd.
Confirmed shows for August as follows:
FAKE SHARK REAL ZOMBIE – Liar EP
With a name that quickly conjures up feelings of novelty, of lightweight emo trash and of genuine disposability, Vancouver’s Fake Shark – Real Zombie! have, rather unwittingly, saddled themselves with a moniker that’s a quick turn-off. The epitome of just trying that bit too hard, it combines fantasy with punctuation and comes up with utter dross as a result. The young band may think they’re being “well random” (to use a horrible teen vernacular, popular at time of this release), but in truth, all they’ve done is give their project a name that’s going to be of potential hideous embarrassment to them in future years. Hell, maybe they won’t give a fuck – apparently Henry Rollins is a fan, so they’ll be thrilled, whatever. [In some ways, this revelation comes as surprising, given the punk icon’s musical past; in other ways, not so much: Rollins loves music from many genres- loves Beastie Boys, funk and even takes his professional name from a legendary jazz artiste.] Anyway…yes, Canada’s Fake Shark – Real Zombie! What of their music itself?