THE FOREIGN RESORT – The American Dream EP

foreign-resort-epWelcome to our faceless lives” implores The Foreign Resort’s frontman Mikkel Jacobsen during ‘Suburban Depression’, a neo-gothic, downbeat look at the dark side of the modern world. Set to music conjured through a remoulded sonic image of the 80s and released as a standalone track via the Danish band’s Soundcloud account, this is both the perfect introduction to The Foreign Resort for unfamiliar ears and an equally perfect homage to the sounds of some thirty years previous. The recycled sounds of a Peter Hook-esque bassline placed against the measured rhythmic pacing of The Cure’s classic ‘A Forest’ forge ahead, as the tale of “your own private hell” unfolds. With the repeated refrain and suggestion that “everybody’s empty now” being bandied around with sheer abandon, some may experience knee-jerk feelings that the track itself is depressing, but nothing could be farther from the truth. There’s a sense of knowing within this band’s gothic throwback of a sound. As the track builds, never ever shifting from the basic rhythm – pulsing, pulsing – and the guitars increase, the bass holds firm and despite the familiarity, The Foreign Resort strike musical gold.

It’s not a fluke, either.

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SCANDINAVIA – World Power

scandinavia-lpLondon-based indie rock conglomerate Scandinavia are an odd bunch. When they liken themselves to both The Replacements and Hall & Oates and then confront you with music that sounds like neither, well, it’s an interesting proposition to say the leasy. Maybe their own self-chosen comparisons aren’t meant to be direct references, but rather more to assure you that their musical boundaries are wide open – which they very much are: their fourth studio album, ‘World Power’ is nothing if not eclectic.

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EIGHT DAYS – More To Life EP

eight-days-epThe formation of Eight Days dates back to the band’s school years, but like so many, they wouldn’t be ready to take their music careers seriously until a fair while later. Refusing to take the easy way out, they spurned the obvious punk pop sounds practised by so many and set about creating a ferocious sound that fused hardcore punk and metal. Although this too had been done by many bands, by the time of Eight Days’ debut release in 2014, it was nowhere as predictable – or stale, even – as the more common, identikit pop-punk mould had become. The band then toured extensively, picking up fans along the way and found time to plug a recording gap with two new songs and a demo on their ‘Surrounded By Ones Who Want Me To Fail’ release in 2015. In the first half of 2016, Eight Days recorded four new tracks; these were eventually released as the ‘More To Life’ EP in the autumn.

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THE DEMOS – Paramount Clouds EP

the-demos-epWhen New York duo The Demos released ‘Lovely‘ back in the mists of 2011, it was obvious that they recognised a hook and knew their way around a reasonable alt-rock/power pop arrangement. Sadly, the lo-fi nature of that recording, essentially demos passed off as a finished product, didn’t really show them at their best. There were at least a handful of tracks scattered among the dozen that wanted – even needed – a much better send off than they were afforded.

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HANDS OFF GRETEL – Burn The Beauty Queen

hands-off-gretelFronted by singer-songwriter Lauren Tate, Hands Off Gretel’s 2016 full length ‘Burn The Beauty Queen’ is unashamed in borrowing a lot of influence from the 90s. With elements of Nirvana, Hole and occasionally the more tuneful edge of various other alt-rock and grunge sources, its tracks take a trip through a world of big riffs on songs with a very female perspective. Almost like the missing link between Hole’s classic ‘Live Through This’ and their far more commercial ‘Celebrity Skin’, it’s an album that’s very well put together – the production is excellent, the playing very good, the songwriting often possessing a spirited quality – but it’s also sometimes a bit too calculated, like experiencing the riot grrrl movement through a Tim Burton filter. For all of their talent, Hands Off Gretel appear as a garish, stripy legginged, teen goth fantasy of what the grunge fuelled early-mid 90s were like, had there been no surviving archival references. The album in turn almost presenting the past as if Courtney Love were only remembered via folk tales passed down through a generation.

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