Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we bring you a genuinely sharp sounding piece of post hardcore from Brighton, a well arranged slab of stoner metal, the overdue return of a goth influenced act, a trio of very different singer songwriters…and more. As always, we hope you find something new to enjoy.
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We’ve reached the end of another year, and the Real Gone Singles Bar has gone from strength to strength. As is always the case, we’ve received far more submissions over the past six months than we could possibly hope to cover, and ended up with a lot of great tracks that just didn’t find a home in the original weekly columns. Some things are too good to pass by, though, so as is traditional, we’ve rounded up twenty of the best tracks that didn’t get covered upon release and created the Singles Bar New Year’s Eve Lock In! We’ve got a great new wave inspired track, a couple of absolute bangers from the metal world, a little Americana, some jazzy yacht rock, funk, power pop and goth. With the help of a couple of singer-songwriters along the way, we hope there’s something in this selection for almost everyone as we count down to midnight…
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The first new music from the Boston punks Already Dead in almost a year, the band’s 2025 EP ‘I Think It’s Time To Leave…’ is in danger of being over as soon as it’s begun. Packing five high octane numbers into a little over ten minutes, the release barely gives the listener time to catch their breath, let alone provide an ideal opportunity to take stock of what they’re hearing. In terms of blending the classic Ramonescore sound with some old school, sometimes very British sounding punky thrills, the material really hits the mark, though, regardless of the release’s obvious brevity.
We’ve reached the end of another year, and for Real Gone, 2025 was a special one. Not only did we celebrate our sixteenth year online, but we gained a truckload of new and regular supporters – both from an industry perspective and in terms of regular readership. Our visitor stats have seen a huge increase on 2024, and the materials we’ve been sent for review have been more varied than ever.
We’ve heard a lot of enjoyable albums and EPs over the past twelve months, but as is traditional, we’ve whittled our favourites down to ten, and then given a well deserved shout out to a few titles we think are also worth checking out. As always, our picks for the best of the year are limited to releases we actually reviewed – it’s only fair. We hope you’ll check out some of the artists and releases featured below, if you’ve not already done so.
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On their 2019 LP, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.