Following two EP releases and their own headline shows in London, UK alternative rockers Amaryllis (not to be confused with the female fronted Polish prog rock band) set to work on a full length which, in the bands own words, had to be better than anything they’d recorded before. It’s always good to encounter a band with a clear sense of drive, looking to push themselves. While that debut – 2016’s ‘Nova Initium’ – often relies on being the sum of its influences over any obvious originality, it’s hard to argue against it being well constructed and well played, especially in the guitar department, since Alex Whiteford so obviously knows how to work some solid riffs.
READYMADE BREAKUP – Live With It EP
Readymade Breakup’s third album – their self-titled release from 2011 – was, at the time of release, their best to date. It was still a little hit and miss but the good material far outweighed the bad, while the band’s newly found tougher sound was clearly a step in the right direction. Time passed. A follow up never came and the band seemed to lose the momentum built up by the release. Their drummer moved away; their bassist, Mr. Gay Elvis, put out his own EP in 2014 and with an ever expanding gap between the present and their last release, by the end of 2015, it seemed Readymade Breakup were done.
THE SENTON BOMBS – Mass Vendetta
Ten years of label changes, line up changes and a decade’s worth of sweat led to the making of The Senton Bombs’ ‘Mass Vendetta’. On this fourth album, the Blackpool rockers deliver eleven tunes that recycle lots of classic influences, leading to a collection of songs that might just excite listeners who still hanker after dirty hard rock with an occasionally sleazy edge.
DARKESTRAH / AL NAMROOD – Split EP
For those who feel that metal is a purile genre and that black metal is purely just noise, this split release from two underground bands will certainly challenge such ideas. Those who harbour such preconceptions are unlikely to step within a hundred miles of this release, of course, but that’s hardly the point. From Krygyzstan, Darkestrah fuse black metal themes with a few traditional Asian musical slants, while Saudi occult metallers Al-Namrood mix up black metal with some heavy folk metal influences. While the music on this split release can take a while to fully appreciate – if, indeed, in the case of Al-Namrood, it can be fully appreciated – it cannot be said that either band play to extreme metal traditions and that these tracks aren’t in some way surprising.
WHEEL IN THE SKY – Heading For The Night
Back in 1978 Steve Perry sang about a wheel in the sky and, as such, it’s pretty much impossible to encounter this Swedish band’s choice of name without hearing his high tenor as part of the old internal jukebox. The band may or may not be aware of that… There are far more irritating earworms to be stuck with than early Journey hits, of course; even now, half of you will be humming that track to yourselves and potentially cuing up your copies of ‘Infinity’ for later listening. However, unexpectedly, this particular Wheel In The Sky are not an AOR band at all. Most of this release sounds as if it were recorded around the same time as Journey‘s aforementioned single, but that’s as far as any comparison goes. These guys are more your Steppenwolf and Blue Oyster Cult variety of retro and in principle, their desire to want to make you cut loose with their particular brand of throwbacks to rock’s yesteryear is a very admirable trait.