KING BLACK ACID & THE CRYSTAL UNICORN – Super Beautiful Magic

In March 2017, retro rock band King Black Acid released their ‘Twin Flames‘ EP. Despite ’17 barely being a few months old at that point, it was clear that the EP was special enough to potentially be one of the year’s best releases. Bringing together the sounds of Crazy Horse, Band of Horses and more besides (not necessarily horse related), its three tracks dropped the listener into a twenty minute musical cycle that was both other worldly and pretty much timeless. If ever there were a great example of music being utterly satisfying, then ‘Twin Flames’ most assuredly fit the bill.

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REAL GONE GOES OUT: Dearly Beloved – Ramsgate Music Hall, Ramsgate, Kent 30/06/2017

It’s been a busy week for Dearly Beloved. They’ve made the long haul trip from Toronto to the UK to play a handful of shows with Tommy Stinson‘s Bash & Pop. Earlier in 2017 they released their fourth full length ‘Admission’ – an excellent record, made with Ramones/White Zombie/Misfits producer Daniel Rey – and while they don’t have the biggest audience in Britain, apparently, at last night’s London gig “they absolutely killed it”. Given such enthusiasm for their live current show, any opportunity to catch them live should be taken and this final night of the UK visit provides an excellent opportunity to see them working in a more intimate environment. Much more intimate.

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The Great 70’s Project: 1978

1977 saw a change on the UK music front as punk made a fairly grand entrance.  It wasn’t the giant new broom that revisionists will have you believe, as disco and pop still had a strong grip and the prog rock bands remained a fixture in the album charts.

Perhaps the greatest thing the punk movement brought was the idea that such energy could be used to create great three minute songs. In 1978, utilising the energies of punk and a firm grasp of radio friendly pop choruses, bands like Blondie and The Jam went from strength to strength.

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JET BLACK SEA – Absorption Lines

When a musician is both prolific and open to lots of influences, they’ll end up with lots of musical ideas that don’t quite fit their regular outlet. Such is the case for multi-instrumentalist Adrian Jones. Whilst working on the Nine Stones Close album ‘One Eye On The Sunrise’, he and studio engineer/multi-instrumentalist Michel Simons recorded various pieces of music of a more laid-back and ambient nature. Rather more rooted within electronica and the darker worlds of Massive Attack than rock, the musical ideas were eventually released as an album, ‘The Path of Least Existence‘ credited to Jet Black Sea in 2013. With Jones returning to Nine Stones Close almost immediately afterwards and their ‘Leaves‘ album featuring some very dark and anguished material, it seemed like Jet Black Sea was merely a temporary outlet. A brilliant outlet, but not necessarily an ongoing fixture in the 9SC family tree. However, three years after their first Sea voyage, Jones and Simons re-entered the studio.

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