A ROAD TO DAMASCUS – No Man Is An Island EP

Billing themselves as “pop core”, Danish band A Road To Damascus set out – in their own words – to create music that was “catchier than your average rock song” and yet “heavier than your average pop song”. Since there’s a lot of catchy rock based stuff out there (try resisting the huge choruses on Black Star Riders’ ‘Finest Hour’ or those gang vocals on The Fratellis’ ‘Chelsea Dagger’), they’d automatically given themselves a tall order, but one listen to their music is all that’s needed to understand what they mean.

Their 2019 EP ‘No Man Is An Island’ takes in all manner of twenty first century pop and lighter rock influences to create something very friendly. At its very best, it sounds like hugely sophisticated pop music aimed squarely at an adult market, but by keeping one foot in a vaguely rock-ish camp, they’ve created four songs that – although unashamedly pop – have a pleasing weight to them; a general oomph that would normally be absent from radio pop. The presence of vocal filters throughout is a constant reminder of their love of actual pop fare, but if you can make it past those, the EP has a lot to give.

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DAXMA – Ruins Upon Ruins EP

Two years on from their devastating ‘The Head Which Becomes The Skull’ Californian doomsters Daxma (pronounced Dahk-ma) unleash a career best with the ‘Ruins Upon Ruins’ EP. Their first release for Blues Funeral Records, it might look like a stop-gap since it features just two songs but the reality is somewhat different. Each of the featured pieces stretches beyond ten minutes (one even fills a full quarter of an hour), meaning that, combined, the two riff laden offerings actually have a running time that’s almost as long as various rock LPs from the late 60s.

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TOMMY AND THE ROCKETS – I Wanna Be Covered

Power pop/pop-punk band Tommy And The Rockets first appeared on the scene in 2016. Their debut album ‘Beer And Fun And Rock ‘n’ Roll‘ – co-written with LA based songwriter Michael Chaney – quickly asserted itself as a summer classic with some great Ramones-ish material and a short and sharp playing time. A couple of EPs followed, but it felt like a case of diminishing returns, as nothing quite matched the levels of fun whipped up on that first disc.

Two years on from ‘Beer And Fun…’, Tommy And The Rockets cover familiar ground on ‘I Wanna Be Covered’, presenting a selection of Ramones tunes. The Ramones covers album has been done to death (especially with at least six of their albums having been covered in their entirety), but somehow, hearing yet another band wanting to share their love for such timeless tunes never feels boring and Thomas Stubgaard – at this point the sole member of the Rockets – brings just about enough of own style to the project to ensure it doesn’t feel like a waste of time. Although he hasn’t tackled anything after 1980s ‘End of The Century’, he’s not necessarily chosen the most predictable song selection either, which might encourage a few more people to take a listen out of curiosity.

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ANTISOCIAL SURF CLUB – Peace And Quiet EP

AntiSocial Surf Club’s 2017 debut ‘Beach Closed’ was fun record. Its final mix made it hard to ignore its DIY origins at times with its occsaionally thin sound, but in terms of songs, the band scored highly in the power pop stakes. With combination of ringing guitar melodies, light indie influences and sugary pop punk hooks, it was the kind of record that suggested better was to come. …And 2019’s three tracker ‘Peace and Quiet’ more than confirms that hunch. The band’s love of brilliant choruses and buoyant melodies is obvious – perhaps even more so than before – and this time around, the material feels so much fuller.

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SACRILEGE – The Court Of The Insane

Arriving on the scene in 1982 at the tail end of the New Wave of British Heavy Metal, Sacrilege were originally active as a gigging band for five years. Although they played London’s legendary Marquee at their peak, in many ways, they were just one of hundreds of bands at that time who never “made it” in the truest sense. During their original life-span, they never recorded an album, and so by the end of the nineties, they seemed destined to be all but forgotten.

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