In the year or so leading up to this third release from Perfect Plan, vocalist Kent Hilli kept himself more than busy. Considered by some to be the great white hope of melodic rock in the twenty first century, between 2021 and 2022, he not only issued two solo releases – an album of original material and an EP of covers – but also became the new frontman for AOR legends Giant, appearing on their very enjoyable ‘Shifting Time’ album, and even found time to contribute vocals to the second Restless Spirits album.
DETROIT REBELLION – Fake News
Back in 2013, Detroit Rebellion self-released their ‘Detroit Rebellion ’67’ EP, a four track blast of noisy garage blues delivered by two men who often valued pure grit over musical finesse. Continuing in the vein of the now missed Dead Exs and the perfect successor to their ‘Fork In The Road’ release, it showed how the rawness of a pure garage blues sound could often be relied upon to hit the spot, despite working to a fairly formulaic approach.
Some of the best tracks from those EPs were recycled for 2017’s full length release ‘The Man’, and when heard as part of a broader musical canvas, they lost none of their power. The duo continued to plough forward with 2018’s ‘See You Next Year’, channelling Morphine – sans saxophones – on ‘Snake Eyes’, conveying a really spooky edge on ‘Spit Fire’, and working their usual rowdy voodoo on ‘Wrong Number’, all of which suggested that, going forward, there would be even more mileage in their gritty sound.
WAX ON WATER – Ghouls & Fiends And In-Betweens… EP
Wax On Water’s full length album ‘The Drip’ (released in June 2022) presented an interesting mix of electronica, light goth and occasional industrial sounds. With a broad but dark sonic palate linked via a strong vocal, the album’s best tracks brought back memories of a vast array of alternative music from the early 90s . With it’s most mechanical bits not too far removed from something you’d find on Trent Reznor’s vanity label Nothing Records, and a more melodic streak presenting itself as if taking a moody swipe at Garbage, it was a recording that managed to mix the arty with a surprisingly commercial edge.
ORIANTHI – Rock Candy
Orianthi’s 2020 album ‘O’ marked an overdue return for the Australian guitarist. Her first album in seven years and her first for the Frontiers Records label, it appeared during the pandemic lockdown, adding to an ever growing pile of welcome distractions for rock fans the world over. You’d be hard pressed to call it forward looking in any way – the bulk of the music ploughed a furrow where classic 80s melodic rock was very much at the forefront of her semi-bluesy sound, and the video for its second single ‘Impusive’ seemed to want to set the feminist movement back by decades – but, as melodic rock long players go, it was enjoyable enough.
SWEATPANTS PARTY – Sweatpants Party
A new band for 2022, the terribly named Sweatpants Party marks a long overdue return for the almost legendary Kevin Aper. Marketed as sounding “just like The Apers”, fans are automatically given a heads up as to what they can expect, and indeed, the new band’s core sound recycles many elements of Kevin’s past works brilliantly. Although working from a solid pop punk stock, there’s a little more to the Sweatpants, though, since this musical vehicle – teaming Kev with members of Jagger Holly and Stockkampf – takes in bubblegum punk and a little power pop along the way. The focus is on unashamed pop punk and trashy lyrics, of course, and that’s enough to win over The Apers’ entire fan base in a heartbeat.