Back in the dim and distant past of the mid 80s, at a time when The Cars were still chart toppers and The Replacements hadn’t quite made the jump to a major label deal and full-blown melodies, there was a rock ‘n’ roll band called The Clams. That name has since been hijacked by a surf rock band, but the original Minnesota Clams were a great vehicle for garage rock riffs and massive hooks. A lot of people have only really caught up with them via the Rum Bar Records compilation ‘The Complete Clams’ (issued in May 2022), but it’s clear that decades after they disbanded, The Clams were a band with a huge potential. At the very tip of their musical iceberg, ‘He’s Like Heroin’ presented them like a huge-voiced, female fronted Stooges; ‘Give Me A Reason’ served up sixties garage pop loaded with bubblegum sweet melodic hooks and ‘The Dangerous Kind’ showed them dabbling with something much punkier, but with equally cool results. The Clams were a band that often sounded great, no matter what.
ALEX MEISTER – Rock And A Hard Place
Much like the works of Frontiers Records signing Michael Palace, guitarist Alex Meister is very happy to celebrate a big haired rock and metal past. Throughout ‘Rock And A Hard Place’, his song writing is rooted in a pre-grunge landscape, and his playing is swamped in influences that pull from melodic metal, AOR and trashy hard rock in almost equal measure. Those who like that sort of thing will definitely find something to enjoy on this solo debut, since Meister’s love for the style comes through with ease, and even when the record’s production values aren’t quite as big as the musical ideas, his knack with a chorus is more than evident.
beastii – B.E.A.S.T.I.I.
Taking cues from various proto-punk bands, the riotgrrrl stance of the 90s and a classic, fuzzed up garage punk core, beastii’s music is immediately familiar. That’s not to say it’s either tired or safe, however, since the US band attack each riff with an energy and attitude that ensures their material often has a real edginess that punk fans will love.
BOSS’ DAUGHTER – Okay Photography EP
Formed in 2014, US punks Boss’ Daughter [sic] quickly became one of the hardest working bands on the underground scene. During their first eight years together, they’ve played hundreds of shows and shared stages with now legendary bands like Pennywise, Rise Against and The Ataris. Although their studio output seems a little scant by comparison, this two tracker takes the band to the next level, since the vinyl edition technically makes them labelmates with No Fun At All, The Venomous Pinks and skate/pop punk heroes Pulley.
ROB MORATTI – Epical
For most AOR fans, Rob Moratti is a man who’ll need no introduction. However, here’s a quick recap for anyone unfamiliar with his career: his early work with his eponymously named band put him on the map via some chunky sounding melodic hard rock, and his brief tenure as frontman with Saga elevated his profile considerably. At other times, he could be found as frontman for AOR band Final Frontier, or sporadically releasing solo material.