ENUFF Z’NUFF – Finer Than Sin

Enuff Z’Nuff were once one of melodic rock’s greatest bands. Their first three albums are almost perfect distillations of AOR, power pop and glam, all wrapped in an oversized tye dye bubble. The band celebrated a brightly coloured world at a time when such things were in danger of being unfashionable, and their Cheap Trick meets Elvis Costello meets Poison sound made them square pegs in round holes, but in terms of crafting a melodic hook, the Chip Z’Nuff and Donnie Vie songwriting team were second to none.

A little over twenty years on from their classic ‘Strength’ album, Enuff Z’Nuff are a band largely trading off a well known name. As proved by their ‘Brainwashed Generation’ album from 2020, that doesn’t mean that Chip and his faceless hired hands aren’t capable of knocking out a decent tune or four, but that’s just it. Enuff Z’Nuff albums have long felt like a “knocked out” product rather than a work of art. A few good songs are propped up by second rate material and covers – occasionally even leftovers – in the name of a new record. They’ve lost the craftsmanship and consistency of old. Not to mention most of the production values.

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ABOUT US – About Us

Hailing from India, About Us play a variety of rock styles, but often centre their songs around hard edged melodic rock with proggy flourishes. Despite their desire to give AOR a kick, the proggy moments won’t be enough to win over the average prog fan, and might be a little distracting for the melodic rock purist. However, if you’re able to get your head around their sometimes very busy and occasionally quirky sound, their debut album presents some very strong melodies and great songs.

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AL PACINOS SISTER – Al Pacinos Sister EP

British punk band Al Pacinos Sister formed during the pandemic lockdown in 2021, but it wouldn’t be until the following year that they really exploded into life. Their ‘Trained In Karate’ and ‘DOGZ’ EPs (released in February and July of that year) marked their place as one of the UK’s noisiest underground bands. It almost immediately placed them alongside Pizzatramp and Socks On label mates Get The Fuck Out of Dodge – a role that the somewhat faceless act seemed to be taking very seriously.

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THE FALL – Fall Sound Archive Vol 7: 1970s

The Fall’s early work has been reissued several times, but with a few of their “Fall Sound Archives” releases, Cherry Red Records managed to go above and beyond to give some well worn material the best send off ever. Both ‘Live At The Witch Trials’ and ‘Dragnet’ were released as lavish three disc editions in 2019, but even better, the seminal ‘Hex Enduction Hour’ formed part of a brilliant box set, ‘1982’, later that same year. By making the much loved album the main feature of a 6CD anthology, it set a precedent for similarly great reissues.

Taking the same approach as that box set, ‘1970s’ is a hefty 12CD tome that claims to include all of the band’s work from that decade. It doesn’t – there are notable omissions – but it pulls together a huge wealth of material, including several live shows that have never been officially released. There’s always a question of how much bootleg quality Fall material you need, but as the old fan mantra suggests, “you must get them all”, and the lure of six unavailable live sets here will certainly be enough for the hardened fan to want this set – quality be damned-ah.

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MUNROE’S THUNDER – The Black Watch

Best known as the frontman with Metal Church, Ronny Munroe has one of those voices that absolutely encapsulates the sound of “classic metal”. It might not have been so obvious on the thrash-centic output of his former band, but via a run of solo releases, his vocal power has become more than clear. His huger notes convey a Bruce Dickinson inspired wail, some of the harder edged, theatrical elements occasionally capture a gruffer take on Geoff Tate, and when dropping into something a little more angry, his darker tones have even managed to sound a little like Russell Allen, if only the sometime Symphony X man were coasting rather than attacking everything at full volume and full pelt. There’s no escaping the fact that most of Munroe’s style relies on some very 80s influenced stock, but since the bulk of the material on ‘The Black Watch’ centres around a very busy, very retro sound, Ron’s performances are more than suitable. They’re also one hundred percent committed – both in terms of energy and volume. This album’s blend of classic and power metal is many things, but subtle it really isn’t.

‘The Black Watch’ marks the end of a hibernation period for Munroe. Last heard bellowing on his solo release ‘Electric Wake’ in 2014, his voice retains a lot of that voluminous style, but aided a much more adventurous band – unafraid to explore a hugely bombastic canvas – he’s able to abe both grander and more melodic. Things never shift too far from an old school metal core, but it often feels as if there’s far more here at stake for his fans.

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