As a band, KOYO have always been purveyors of interesting rock music, but trying to pin an easy identity on their sound is a thankless task. On their 2017 debut, they jumped between styles, somewhat gleefully, with the semi-psychedelic ‘Lost In The Kingdom’ playing like a lost Jane’s Addiction track overlaid by bleeping new wave keys, ‘Now I Understand’ sounding a bit like a Charlatans deep cut, and ‘Tetrachromat, Pts. 1 & 2’ dipping its toes into a world of contemporary sounding prog, where a complex arrangement was joined by Hawkwind-esque sax work, creating a trippy feel, augmented by a melodic metal undertone. Their 2020 release (‘You Said It’) saw them experimenting with shorter songs and a punchier sound, but for those willing to invest the time, the best songs still conveyed a sense of adventure, with the title cut blending modern indie sounds and a pinch of post rock crunch. Better yet, the album standout ‘Obelisk’ worked a huge art rock sound, where jerky rhythms collided with huge metallic riffs and trippier passages reminded listeners that the band who’d shared ‘Lost In The Kingdom’ just a few years earlier were still there…somewhere.
Category Archives: Album & EP Reviews
SLOWER – Rage And Ruin
Formed as a vehicle for playing Slayer classics at a doom metal tempo, Slower had the potential to be the greatest “novelty” band ever. They were smart, though: once you’d got past the amusement of hearing some of your favourite speed-oriented metal bangers played as funereal dirges, their debut album held up on its own merits. Fu Manchu man Bob Balch and members of Kylesa, Monolord and Year of The Cobra each bought their own unique talents to the project, and each of the tracks played out like the ultimate in classic doom and sludge fare. The result certainly wasn’t what Tom Araya had envisaged, but it was fantastic to hear a new twist on the classics.
TURKEY VULTURE – On The List EP
Following a couple of EPs fusing hardcore punk and stoner metal, Connecticut’s Turkey Vulture have chosen to branch out a little more on their 2024 release ‘On The List’. The six tracks still convey a love of great noise and still celebrate a very lo-fi ethic, but Jessie May (gtr/vox) and Jim Clegg (drums) have added swathes of grindcore and a pinch of death metal to their grab-bag of angry sounds. The results – although still very clearly delivered via Turkey Vulture’s furious hand – are utterly devastating. And not only have they increased their sense of force , but they appear to have decreased their already non-existent recording budget, which makes this EP a genuinely uncompromising affair.
BAD MARY – Better(er) Days EP
A lot can change in ten years. Unlike most DIY punk/alternative bands, though, for Bad Mary, issues with an ever shifting line up hasn’t ever been a factor. Since day one, the unity between vocalist Amanda Mac, her drumming dad Bill, bass playing husband Mike and guitarist David has been unquestionably strong. What has changed in that time, however, is the band’s recording budget and their collective musical skills. The 2024 Bad Mary sound much bigger and much fiercer than their younger selves. With that in mind, they chose not to mark a decades’ worth of work with a career spanning compilation, but to re-record some of the best tunes from their ‘Better Days’ debut disc.
FALOODA – Demo 2024 EP
Greek band Falooda bill themselves as “a noise funk dessert with rose syrup, vermicelli, milk and sweet basil seeds”. If that doesn’t quite make sense from an outsider’s perspective, then it’s with very good reason. This self-titled download – serving as the band’s first demo – is absolutely batshit bonkers. It’s a recording that presents a band absolutely throwing themselves head first into a world of distortion, mangling all manner of influences into the ugliest of shapes. It’s scary, and yet, it’s also fascinating.