From the release of their 2011 EP through to 2022’s ‘Voodoo’, Kill Your Boyfriend have steadily crafted an impressive mix of post punk and heavy electronica sounds. Over the course of more than a decade, they’ve remained true to themselves, never really sought commercial acceptance, or softened their sound. On 2025’s ‘Disco Kills’, there are a couple of interesting musical deviations, but the bulk of their material remains incredibly harsh.
Category Archives: Album & EP Reviews
MUGGER – Get A Clue EP
Following their very promising demo from 2022, which shared eight tracks of blistering hardcore punk, noise-making Texans Mugger sound a little more polished on their first “proper” release. It’s clear, though, within a few bars of the first track, that any actual polishing is relative. Yes, their ‘Get A Clue’ release (being touted as an EP, despite only featuring two tracks) sounds bigger and a touch more professional, but it really doesn’t present the band in any more of a commercially viable manner.
RUDIMENTARY PASTE – Six Examples Of The Wilhelm Scream EP
Affiliated with the independent Socks On Records, Rudimentary Paste are label mates with brilliant noise makers Das Kapitans, Get The Fuck Outta Dodge, Al Pacinos Sister, and Soviet Films. That fact alone will give some listeners a reasonable idea of what to expect from the band’s ‘Six Examples of The Wilhelm Scream’ EP before even going in. This isn’t necessarily a bad thing, but even though this band actually features a couple of faces associated with other Socks On acts, the Paste sound isn’t just a carbon copy of their peers.
EMILY SAUNDERS – Moon Shifts Oceans
On her 2011 release ‘Cotton Skies’, jazz vocalist Emily Saunders applied her talents to something fairly traditional. On that album’s selection of (mostly) extended arrangements, she sang beautifully over smooth piano, evoking a smoky late night bar, or allowed her strong vocals to soar over some very melodic, more rhythmic fare, coming across like the missing link between Stacey Kent and Gretchen Parlato. 2016’s ‘Outsiders Insiders’ very much followed suit, cementing Emily’s talent and suggesting she’d be worth keeping an eye on, despite only releasing new material on a sporadic basis.
TOOTH GORE – For Losers, By Losers
When Tooth Gore released their ‘No Fighting In Doo-Wop’ single in November 2024, the track immediately stood out among an ocean of digital wares. Unlike a lot of young artists that looked to the past for inspiration, Tooth Gore mainman Kobi Joe had no interest in recycling grungy riffs. Nor did this single draw from punk. Kobi’s interests stemmed from much further back. The song’s verses mixed classic elements of garage rock with a perfect surf rock melody, allowing a vocal to bring something accessible, despite being fuzzed up to hell. The strident tune sounded like early Weezer channelling old Spector works, hitting the listener with a welcome immediacy. In many ways, that would’ve made a great track in itself, but a delayed hook brought an extra element of musical magic. Bursting forth with a classic doo-wop influence straight from a world of pre-Beatle coolness, Tooth Gore hit their potential new fans with a killer melody. Then, by using the title for a final slam-dunk, something that’s massively catchy was left to create that all important last impression. Everything may well have stemmed from three very different ideas thrown into a musical blender, but with more than enough chutzpah applied, Kobi gave everyone a four minute treat that promised a lot more greatness in the future.