Brooklyn’s Avery Friedman only began playing live shows in 2024, and didn’t spend years honing her sound before the recording and release of her 2025 debut ‘New Thing’, so the album’s songs still have an element of freshness and occasional naivete. You couldn’t call the material raw, though, or even suggest its potential has been sold short in any way. The best of the record’s eight songs represent brilliantly crafted indie pop, often sharing a sound that’s much older than Friedman’s years, but everything is presented in a hugely confident manner.
Category Archives: Album & EP Reviews
DECREPIT YOUTHS – Love Psycho Kill Machine EP
When it comes to creating crossover sounds, Newcastle’s Decrepit Youths don’t mess around. The three tracks that make up their ‘Love Psycho Kill Machine’ EP take in influences from metal, hardcore, darkwave and industrial, only to spit everything back as an angry, but very distinctive noise; one that feels very assured for a band that’s still relatively new at the time of this release.
MEGAFAUNA & HOMESICK GHOSTS – Nature Is Healing EP
An array of inaudible voices greets the listener at the beginning of this EP, almost as if eavesdropping on a field recording of train station announcements sourced from a damaged cassette. With the arrival of a repeated three note keyboard riff lurking beneath a world of ambient sounds – ranging from something that sounds like the rhythmic clatter of trains on tracks, to noises that evoke imagery of workmen shifting huge piles of rubble – it’s clear that this listening experience will be more about creating a mood than enjoying any “traditional” music.
MAX RAEL – The Enemy Is Us
Barely three lines into the opening number of his solo debut, experimental musician Max Rael has already embraced differences not being like anyone else and told his audience he feels exhausted. The frankness in which the artist’s neuro divergence is discussed throughout ‘Slightly Less Than Human’ is a signifier of the album’s honest approach as a whole. ‘We Are The Enemy’ isn’t so much a collection of songs; more a world of personal statements, shared with a heart and disarming honesty, but also with the hope that Rael will attract kindred spirits. Obviously, this doesn’t aim for a broad commercial potential, but as albums go, it’s never less than interesting.
CHIMPAN A – Saviour / Wichita Lineman
In April 2025, pop proggers Chimpan A (featuring Magenta’s Robert Reed and an assortment of musical friends) released a superb version of Peter Gabriel’s ‘Here Comes The Flood’. It managed to be reverential of the original recording whilst bringing a new slant via a modern production sound, and also shared a downtempo feel that felt half a world away from the ex-Genesis man’s musical interests. Coupled with the self-penned ‘Wolves’, the release marked a great return for the band after a few years away. This second two track release follows the same format – a Chimpan A original, joined by a well known tune sourced from the band’s many influences – and achieves a similarly impressive result.