PRIDE OF LIONS – Fearless

POLF2017Jim Peterik is a legend. His work on various Survivor albums cements his place in the melodic rock history books, regardless of anything he has written or recorded since the 80s. Tracks like ‘American Heartbeat’, ‘Jackie Don’t Go’, ‘I Can’t Hold Back’ and ‘Poor Man’s Son’ are stone cold classics…and of course, it would take a hard heart not to be amused by the ‘Eye of The Tiger’ video with Survivor attempting to look tough whilst stomping through a warehouse.

Peterik’s post-Survivor projects have, understandably, been less high profile. After all, how can you follow a million selling rock band, radio play and worldwide number one singles?

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WORRY DOLLS – Go Get Gone

go get gone lpOn the first two Worry Dolls releases, Rosie Jones and Zoe Nichol promised great things. On a pair of self-financed EPs, the duo sounded absolutely captivating with their abilities to write narrative driven songs and perform close harmonies. Hard graft on the live circuit saw them share stages with Cara Dillon, Rachel Sermanni and the legendary Joan Armatrading, as well as many others. Their first full length release promised a much deeper voyage into country music and ‘Go Get Gone’ does not disappoint.

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THE MURDER OF MY SWEET – Echoes Of The Aftermath

murderDespite claiming to draw influences from early Queen, ELO and Genesis, on their 2015 LP ‘Beth Out of Hell‘, The Murder of My Sweet came across as a really overbearing, second rate Nightwish. The album introduced listeners to a concept about a love affair between good and evil; a theatrical narrative made the material harder to digest than it already would have been…and in terms of both good taste and sanity, a children’s choir was the final straw. In short, ‘Beth Out of Hell’ was an egotistical, bloated effort that once heard (and once was enough) had the potential to cause long term mental trauma.

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THE WHITE SWAN – Anubis EP

white swan epAs part of the second wave of nu-metal, Kittie will always be best known for a couple of cult singles from their debut album, ‘Spit’. While one of those tracks, ‘Charlotte’ remains arguably one of their finest recordings, the all-female growlers carved out a career that by the end of 2016 had released six albums and had experimented with various metal-based subgenres. Band founder and drummer Mercedes Lander launched a new band near the end of that year…and on the basis of their first studio recording, The White Swan puts the entire Kittie catalogue in the shade.

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AS THE SUN SLEEPS – As Good As Gold EP

14882266_1120510311330619_5449958456927785368_oSince the turn of the millennium, a vast amount of music peddled as pop-punk hasn’t resembled the classic pop-punk sound of the nineties at all, but shifted rather more towards whining emo-dom or lightweight post-hardcore. The UK’s As The Sun Sleeps not only play pop-punk in the traditional sense, but are also bloody good at it.

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