HUMBLE PIE – Joint Effort

With the release of two massive Small Faces box sets, two Humble Pie bootleg boxes, an expanded reissue of Humble Pie’s ‘Watch Your Step’ and a four disc set of the final performances of Steve Marriott’s Packet of Three all issued within just over a year, the stretch between April 2017 and the summer of 2018 was a wondrous time to be a Marriott fan. …And then, at the beginning of 2019, Cleopatra Records offered fans something extra from the archives – a long overdue vinyl release of ‘Joint Effort’, Humble Pie’s “lost” album from 1974.

The origins of ‘Joint Effort’ were already somewhat troubled. In the lead up to recording, Marriott had briefly quit Humble Pie hoping to join The Rolling Stones (the vacant guitarist’s role was filled by Faces man Ron Wood) and guitarist Clem Clempson had moonlighted with Greenslade [appearing on their ‘Spyglass Guest’ album, his contributions are fantastic]. To be fair, at that point, the future of the band looked uncertain. However, the reconvening of Clempson and Marriott in 1974 led to various recording sessions which, while perhaps not as coherent as ‘Street Rats’ (the album that eventually hit the shelves the following year), make an interesting album in their own right.

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IRON MAIDEN – Killers

Iron Maiden’s second album ‘Killers’ was released in the UK in February 1981, just ten months after their debut LP. Not so much “born into a scene of angriness and greed, dominance and persecution” as born of haste following EMI’s request for a speedy follow up, it was a “second album” in almost every conceivable sense. Faced with the prospect of having to deliver a new product amid relentless touring, they looked to their archive of already written material and plundered it for all it was worth. Years of honing their sound on the road and the fact the debut included just eight tracks, they found themselves in the fortunate position of having a cushion of material – and while it’s sometimes obvious why some of the tracks were not considered first division material when compiling the debut, Maiden’s “leftovers” were still strong, with some tracks having already become firm fan favourites by the time Steve Harris and company re-entered the studio.

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SIGNAL – Signal EP

Not to be confused with the American AOR band fronted by Marcie Free in the late 80s, this twenty first century Signal play very ragged hardcore punk. The band’s rhythm section once comprised two thirds of the lo-fi garage punk combo The Meltaways and if you were ever a fan of that band, then Signal’s brash stance should very much appeal.

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DISKOPUNK – Diskopunk EP

Diskopunk have been slowly releasing tracks across digital platforms since 2016. It was looking increasingly like they were going to tease the world with bits and pieces forever, but the beginning of 2019 brought a self titled EP and, with that, finally something more substantial for those who’ve enjoyed the previous digital singles.

In terms of their very European electronica, the bulk of this self-titled release is very assured in the way it throws catchy hooks into melodic beats. It also isn’t afraid to feel like throwaway fun at times either, but what comes across most is that old Scandinavian gift for a strong melody – something that’s often obvious throughout, even if you’re not really that big on dance oriented stuff.

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NEGATIVE WALL – Gammagelu

Tommy Stewart ended 2018 in style by giving the world an enormous piece of doom when his band Bludy Gyres contributed a near-impenetrable seventeen minute slab of riffery to a split release with fellow doomsters Dayglo Mourning. After such epic scale sludge, some musicians would take a moment to step back and admire their work…but not Tommy. He’s chosen to go head first into 2019 in similarly grand scale, as his other band Negative Wall present just four lengthy and doomy pieces of intensity on their debut full length release. Stretching to almost a full half hour, ‘Gammagelu’ is not an EP, but a near album length, fuzzed up, doomed out musical ride that’s almost as aggressive as Bludy Gyres. This time around, Stewart takes his gift for a riff and applies it to a world of whacked-out sci-fi tales…

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