BRASS OWL – State Of Mind

Brass Owl unleashed their self-titled debut album in the summer of 2018. While that record was loaded with great riffs and showed promise, it was also fatally flawed. More than great riffs are needed to create great songs and their song writing wasn’t always the most memorable. Also, in frontman Brian Tarter, the band seemed to be hampered by a vocalist who often…overstretched himself.

Unfortunately, since Tarter also supplies those great guitar riffs and actually represents fifty percent of the band on 2020’s ‘State of Mind’, Brass Owl are sort of stuck with him. As a result, it is another album where a massive amount of promise is evident, but the genuine quality doesn’t always come through.

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DOOL – Summerland

On their debut album ‘Here Now, There Then’, Dool formulated a sound that blended goth, hard rock and a touch of trad metal to create a sound that drew a lot of influence from the early 90s, but in some ways sounded almost timeless. With elements of Killing Joke providing a core influence – especially in some of Job van der Zande’s chosen basslines – it was a record that had a relatively strong musical foundation, even if some of the songs weren’t especially memorable. A cover of ‘Love Like Blood’ flaunted their love of Killing Joke further on an EP in 2019 that, in the band’s own words, saw them growing in confidence.

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JUSTINE’S BLACK THREADS – Cheap Vacation EP

In 2017, Justine and The Unclean released their critically acclaimed debut album ‘Get Unclean’, a rousing collection of power pop and pop punk oriented material that really helped put singer Justine Couvalt on the map. A follow up EP (2018’s ‘Heartaches & Hot Problems’) brought fans another reason to get excited, proving the band wasn’t just a one-shot deal and also showing that they sounded just as natural when stepping out of their power pop comfort zone and applied their talents to a couple of much harder sounding riffs.

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THE FALL – Fall Sound Archive Vol 4: Reformation! Post TLC

Most Fall fans would have put good money on the fourth release of Cherry Red Records’ “Fall Sound Archive” series filling one of the gaps between #2 and #3 with an expanded release of 1980’s ‘Grotesque (After The Gramme)’ or following the excellent ‘Hex’ related box set with a vastly expanded edition of the excellent ‘Perverted By Language’. Few would have predicted things would take such a huge left turn by jumping ahead to an album that kick-started the final phase of the band’s long career. Almost as unpredictable as Mark E. Smith himself, the Fall Sound Archive Vol. 4 takes a massive leap and gives fans a broad look inside the many cogs and workings of 2007’s ‘Reformation Post-TLC’.

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