If you spend time poking around on the internet, chances are you’ll find very little about New York’s R. Missing. Not only does this musical project boast a less than friendly name for search engines, when you do track them down, their social media accounts give no real sense of history or any kind of backstory. It seems that the self-confessed “darklings” are happy enough existing somewhere on the fringes of social interaction; always content to creep out of the shadows from time to time when they have something important to share. When you finally get to hear them, you realise that this is all very deliberate, as there’s plenty about their darkwave sounds and bleak synth based tunes that suits their aloof approach perfectly. The blankets of synth pop/alt-pop that filled their 2017 EP ‘Unsummering’ suggested a musical interest that fell somewhere between Cocteau Twins, Lana Del Rey and the much overlooked Smoke Season – all very strong building blocks – but their second release, the ‘Placeholder For The Night’ EP (released in the death throes of a troubled 2020) promises even more musical detachment.
Category Archives: Album & EP Reviews
FALSE MEMORIES – The Last Night Of Fall
A new arrival at the Frontiers Records label for 2021, Italy’s False Memories were promoted in their pre-release materials as leaning towards “a gothic, doom metal vibe”. Although the band’s darker tones are something of an interesting move for a label that predominantly deals with melodic metal and a wealth of old school AOR, massive hair and the occasionally misjudged leather trouser, it soon becomes clear that nobody at the label has a clear idea of what “doom metal” actually entails. You won’t find any eight minute epics on this band’s third release ‘The Last Night of Fall’, nor will you find anything dominated by deep, booming voices, or any riffs that could be considered oppressively slow. Occasionally, the band unleash something of an unexpected heaviness – as is the case with album highlight ‘Deep Breath’ – but, in the main, False Memories have a strong relationship with a melody and something of a “safe” feel. In short, for all of the hard sell with a focus on darkness and heaviness, the label have signed their own Nightwish. False Memories can be a little more intense and often more interesting, but they definitely sit more within that musical sphere. For the more adventurous melodic rock fan, such a familiar Euro-goth sound should be enough to warrant a purchase, but this in no way should be considered “doom metal”. Luckily, despite an over familiar sound and the possibility of finding themselves in something of an over saturated market in terms of style, False Memories come armed with some decent songs, and in Rossella Moscalletto they have a very self-assured vocalist.
RAY FENWICK – Playing Through The Changes: The Anthology 1964-2020
The 1960’s spawned a generation of guitarists who paved their way to stardom through vast amount of session work. Arguably the most celebrated of these players are Ritchie Blackmore and Jimmy Page, but for these genuine megastars, there were a legion of other six string heroes who worked every bit as hard – or harder – but never reached “household name” status. Unless you’re the kind of fan who devours sleeve notes and credits with as much enthusiasm as the music itself, names like Clem Clempson, Geoff Whitehorn and Jim Sullivan, for example, might not be too familiar, and yet, if you love 60s, 70s and 80s rock, chances are you own a record or two featuring those guys.
Ray Fenwick is another musician who has maintained a presence for several decades, but has never seemed to get his full due. Beginning as a session man in the 60s, he’s played with some of the greats. ‘Playing Through The Changes’ – a three disc anthology from 2021 – shows off a chunk of his legacy more than admirably, pulling tracks from a very busy career. What it may lack in consistency it makes up for with variety, and unlike so many rock-based anthologies devoted to a singular talent, it doesn’t rely on too many really obvious recordings you’ll own elsewhere – purely because the nature of Fenwick’s work means there aren’t any obvious compilation filling hits and standards. There are a lot of oddities – which aren’t all good, naturally – but, in the main, it’s an enjoyable musical adventure.
THE LARIMORES – Hail Mary EP
At the close of 2019, Great Affairs man Denny Smith released an excellent solo album ‘From The Dark’. It’s choice of title was inspired by his receiving the all clear from a serious illness and its stripped down arrangements were a direct reaction to the amount of time the singer-songwriter had spent pondering life, the universe and everything during the writing and recording process. Despite the following year being sidelined by a global pandemic, Smith’s world trucked on, and The Great Affairs released ‘Everybody Moves, Nobody Gets Hurt’, an album of enjoyable retro rockers that very much showed the band taking a very much business as usual approach.
THE SEX ORGANS – I Hate Underpants EP
Okay. On the surface, this looks absolutely terrible. The Sex Organs are a duo who claim to be from outer space and dress up as…sex organs. They play squarely into the hands of novelty and spend most of their time being vulgar. There are at least three dozen reasons why their schtick just shouldn’t work. However, looking beyond beneath the crassness, buried somewhere beneath the shock value, you’ll find a raw as hell garage rock band that are actually worth listening to.