A new band for 2021, Herzschlager capture a brilliant hardcore sound where the speed and bowel rattling elements of crustpunk collide with the crunch of classic hardcore, and the aggressive side of bands like Cancer Bats battles against a few early Machine Head-ish breakdowns. It isn’t exactly the kind of thing you’d expect from two members of Allfather – one of the UK’s best extreme metal acts – but, then again, what are side projects for, if not an excuse to branch out and experiment?
Category Archives: Album & EP Reviews
SONIC HAVEN – Vagabond
Vocalist Herbie Langhans is one of those people who keeps himself more than busy. He spent most of the 90s and 00’s as frontman with power metal band Seventh Avenue, but after that band’s split, he found work as vocalist with a succession of other acts, eventually landing the job as frontman with melodic metallers Firewind. His performances on their self-titled 2020 release more than showed him to be a good fit for the band. With Sonic Haven – his new project for 2021 – he approaches a selection of power metal tunes, a whole world of trad 80s metal and, in one case, something that sounds like an overspill from his melodic rock band Radiant, to create the kind of debut that often feels like a culmination of all of the music he’s helped create so far. In trad metal terms, the best tunes certainly wouldn’t feel too out of place on one of Saxon’s later albums, but with a much bigger sound and a strong power metal undercurrent, ‘Vagabond’ isn’t just an easy trad metal rehash – there are times it feels larger than life.
Neil Young teases upcoming Crazy Horse and CSN&Y material
There has never been a more exciting – or expensive – time to be a Neil Young fan. The global pandemic has given Young plenty of time for reflection and for going through the archives. The past year has seen release of his ‘Homegrown’ solo album from 1974, a ‘Greendale’ live set, a CD and DVD of an early show (‘Young Shakespeare’), some classic live material with Crazy Horse (‘Way Down In The Rust Bucket’ and the appearance of his long-awaited ‘Archives II’ ten CD set.
JON ANDERSON – Animation
After leaving Yes in 1979 following the tour for their ‘Tormato’ album, Jon Anderson barely rested. Between 1980 and 1982, he split most of his creative time between his own solo projects and collaborations with Greek keyboard virtuoso Vangelis, which brought the vocalist some UK chart success with the commercial new age/synth pop singles ‘I Hear You Now’ and the much-loved ‘I’ll Find My Way Home’. By the summer of 1981 and with the second Jon & Vangelis album ‘The Friends of Mt. Cairo’ having barely hit record shop shelves, Anderson was back in the studio working on the material that was soon to become his third LP ‘Animation’.
Upon release in June 1982, ‘Animation’ was a cult hit among fans, but not especially a commercial success. It marked the first time since the 1960s that Anderson failed to break the top 40 of the UK albums chart, and yielded no hit singles – which might seem weird considering his recent success with Vangelis – but, in all fairness, ‘Animation’ is a really complex animal. On the surface, it’s shiny pop oriented sound and extensive use of the technologies of the era make it appear as if it should’ve been much better received, but closer inspection reveals a sometimes challenging album that often delights in being busy, sometimes for the sake of it, and very occasionally at the expense of obvious hooks. However, it’s one of those albums which, with enough time invested, will eventually present a lot of brilliant material. Some of it is about as singalong as the more excessive bits of ‘Topographic Oceans’, but as is often the case with solo Jon, there’s far more at stake cheeky pop tune.
Howard Jones: A Doll’s House In A Small Street – Inside the ‘In The Running’ Super Deluxe Edition
After a run of synth pop hits, Howard Jones took a musical detour. All artists grow and change, but the bulk of the material on his fifth album ‘In The Running’ (originally released in 1992) presented Jones in a more introspective light. Its ten songs tackled heavyweight subjects like pent up aggression (‘Gun Turned On The World’), mental illness (the self-explanatory ‘The Voices Are Back’) and the need for forgiveness (‘One Last Try’). Musically, his trademark synth pop style was dropped in favour of more of an adult AOR sound, sometimes much closer to Bruce Hornsby, and unfortunately, the UK radio stations seemed less than convinced. The album didn’t yield any massive hits and it subsequently became overlooked by all but the biggest fans.
By the early 2000s, it was much easier to find a copy of ‘In The Running’ from a US cut out bin than anywhere in the UK. A 2012 reissue coupled the album with ‘One To One’ and ‘Cross That Line’ and associated extras, but aside from a cover of Donald Fagen’s ‘IGY’ (released as a single in ’93) it didn’t offer much by way of ‘Running’ era extras. With that in mind, a massive reissue coupling the original album with a wealth of extra period material was something of a necessity. This four disc set from Cherry Red (issued in April 2021) aims to be the last word for ‘In The Running’, since it features a truckload of remixes and extra goodies alongside a DVD where Howard reflects on a much underrated work.