Although Matilda’s Scoundrel’s announced they’d be taking a hiatus from the end of 2019 – every hard working musician needs a rest eventually, unless they’re Frank Turner – a few previously unreleased tracks have slipped through the cracks since then. Their contribution to a Revenge of The Psychotronic Man tribute release (‘Rrose Selavy’) blended fuzzy post-punk guitar noises to a ska rhythm which, when topped with various mandolin style sounds, became a great four minute example of the band’s abilities to cross genres even when working with other peoples’ material, and a couple of left-overs from the sessions for their 2017 release ‘As The Tide Turns’ crept out on a 7” at the beginning of 2021.
Category Archives: Album & EP Reviews
FRENCH GIRLS – French Girls
When Rum Bar Records reissued the French Girls’ self-titled 2013 EP at the beginning of 2021, it instantly gave the band some well deserved exposure, such is the label’s enthusiasm for digital mailouts and keenness on spreading the word via social media channels. For those who missed French Girls the first time around, this timely reissue more than set out the band as an act to watch out for. That EP’s four songs worked a fierce and distorted approach that could rival many a raw, DIY garage punk band. Those with sharper ears may have detected occasional nods to old 60s girl groups, but in the main, the short release had most of its intents set on creating a gloriously raw noise. It was thrilling – exactly the kind of thing you’d expect from ex-members of Les Hell On Heels and Sympathy For The Record Industry signings The Peeps.
A PLACE TO BURY STRANGERS – Hologram EP
Following the release of the live ‘Fuzz Club Session’, things seemed to go a little quiet for A Place To Bury Strangers, at least in terms of press coverage, but the band carried on making underground sounds. The self-released ‘Ice Cream’ 7” continued their onslaught on the shoegaze scene, and even a drastic line-up change at the beginning of 2021 couldn’t suppress their commitment to being “New York’s loudest band”.
RESSURECTION KINGS – Skygazer
The Resurrection Kings debut (released in 2016) was one of those frustrating albums that showed great promise, but was ultimately flawed. Ex-Dio band members Craig Goldy (guitar) and Vinnie Appice (drums) played up a storm throughout, but their best efforts were often drowned out by vocalist Chas West, a man who insisted in bellowing his way through the bulk of the material at full volume, making it a hard listen. As proven by his own West Bound project, it’s not that Chas doesn’t have a voice; he just needs the music to be in tune with his sometimes overbearing tones.
The flaws of the Resurrection Kings debut are evident once again here. For some reason, Goldy’s best efforts don’t always seem to be on quite the same wavelength as West’s huge performances. Or maybe West’s all or nothing approach doesn’t quite fit with some of Goldy’s more varied ideas. Whatever it is, there’s still something that feels a little off-balance and requires a fair bit of tuning in and patience on behalf of the listener. However, if you can tune into everything, the album features a selection of solid, old style metal tunes that definitely seem to have a little more drive and focus compared to their previous work.
CHOICES MADE – Reason For Conflict EP
Taking cues from the classic hardcore sounds of Ignite and the metallic edge of Cancer Bats, Choices Made deliver a world of fantastic riffs on their third EP ‘Reason For Conflict’. It’s half dozen tracks showcase some superb musicians throughout, and the short and sharp EP format actually helps the band’s pointed messages of unity seem even more forceful.