With a new line up and very melodic approach, the new look Striker sound absolutely fantastic on their current single ‘Deathwish’. The first new music from the band since their award winning ‘Play To Win’ album in 2018, the new track blends late 80s guitar riffs with a massive AOR chorus, resulting in a performance that calls back to the genre’s glory years.
Category Archives: News
Watch: Flickertail cover David Bowie classic in new video clip
Formerly The Bitter Sweethearts, the Aussie/Irish rock band Flickertail first appeared under their rebranded moniker in 2018. Their debut EP, ‘Hurry Up & Wait’ was loaded with classic rock riffs and very strong vocal performances, promising even bigger things to come.
Astro (1957-2021)
For those not old enough to experience Bob Marley in his prime, UB40 provided a very important introduction into contemporary reggae music. Their earliest material, powered by massive basslines and even bigger social/political messages really got to the heart of early 80s Britain. Their first ten years, in particular, presented the work of a band that seemed almost infallible. They could shift from political anger, into 70s influenced dub, through to a deftly played cover tune without missing a beat. Their show from the Hammersmith Odeon in 1983 – still denied a DVD release – is a near perfect example of the early UB’s in full flight.
The Shang Hi-Los return with ‘Plymouth Rock’
A new power pop sensation, The Shang Hi-Los, emerged at the end of 2020. Their debut EP, ‘Kick It Like A Wicked Bad Habit’, served up five tracks of guitar driven, bubblegum inflected fun, big on harmonies and bigger on hooks. If their talents were under any doubt, a spirited cover of Chicago’s ‘Saturday In The Park’ which stoked up the guitars without losing any of the original’s 70s pop flair showed how versatile this new, all star band could be.
Little Thief share new video for ‘Under The Patio’
With its garage rock elements, indie rock vibes and danceable grooves, Little Thief’s album ‘Under The Patio’ is a strong contender for “debut of the year”. They’d long proved themselves as an incendiary live act, but their long awaited full length recording proved that their varied sounds could work almost as well in the studio environment.