Queen 70s poll results & video gallery

Over the past week, Real Gone has been running a poll covering Queen’s seventies output.  We knew the idea would get people talking, since Queen are one of the few bands that could be considered a global phenomenon.  We had no idea when it began whether the well known hits would dominate, or whether the long-standing fans would speak out for some of those lesser heard album cuts. [Full results here.]

Almost 1,300 votes were cast, and one thing is clear.  People still absolutely adore ‘Bohemian Rhapsody’.  It’s so entrenched within the Queen legacy, it’s become almost unavoidable.  Although there’s a vast amount of great material recorded by the band between 1973-78, it was guaranteed a high placing, but it secured the top spot within hours and then held onto a fairly commanding lead.  It’s easy to dismiss the song as overplayed, but if we are able to step aside from that fact for a moment, it’s still a fantastically crafted piece of music, unlike anything in rock music before, and – a couple of other Queen numbers aside – still stands out from so much since.

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THE BIG QUEEN POLL: Part One – The 1970s

In recent years, the market has almost been flooded with Queen compilations. We’ve seen ‘Absolute Queen’, three volumes of ‘Deep Cuts’ and most recently ‘Queen Forever’ a collection of ballads with a couple of unreleased bits to tempt the die-hard fan.

The band really pleased fans when they issued the complete ‘Live At The Rainbow ’74’ show, a live set capturing the very early Queen on fire. This release has led to some speculation as to whether more live sets will be issued. We all know that excellent quality footage from Hammersmith 1975 and Hyde Park 1976 exists in the Queen vault, but some fans are currently speculating about an expanded reissue of the classic ‘Live Killers’ disc…

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DELUXE EDITION DREAMLAND: Tori Amos – Little Earthquakes

Few debut albums are as perfect as ‘Little Earthquakes’ by Tori Amos.  Not only is it a recording with barely a note wasted its also a deep and thoughtful experience that leaves the listener emotionally spent upon completion of listening.  In under an hour, Ms. Amos takes us on a roller coaster journey of songs that deal with changing weather and changing emotions – songs dealing with self depreciation, of sexuality, self-worth, rape, missed periods, fitting social situations…or not, and far more besides; almost every line dealing with the deeply personal, uncovering parts of the human condition.  Right from the beginning of ‘Crucify’ to the last notes of the title track with Amos pleading “give me life, give me pain, give me myself again”, ‘Little Earthquakes’ never lets up.

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THE BOOMTOWN RATS – Live at Goldiggers, Chippenham 1984

In the late 70s and early 80s, the BBC had a series of programmes called ‘Sight and Sound In Concert’.  These specially filmed gigs were simultaneously broadcast on BBC TV and radio.  A few are available commercially – as is the case with the excellent Thin Lizzy performance from the Hitchin Regal in 1983 – but sadly, many are not.  Thankfully, due to repeat showings, many fans have pristine off-airs of shows by Camel, Gentle Giant, Renaissance and others.

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Led Zeppelin: Poll results & video gallery

For the past week, Real Gone has been running a Led Zeppelin poll.  A huge poll containing each of the Zep studio recordings, rather than just letting fans come and choose their favourites, we structured things slightly differently.  Voters were given nine votes and only allowed to pick one track from each of the albums.

A few people claimed this to be unfair – after all, when faced with an album as strong as Led Zeppelin’s fourth, how could you possibly choose ‘Stairway To Heaven’ over ‘The Battle of Evermore’, or even ‘When The Levee Breaks’ over the mighty ‘Black Dog’ with its huge riffs?  How could only one vote be allocated to ‘Physical Graffiti’ – a sprawling double album featuring fifteen songs and at least seven cast iron classics?   Therein lied the big challenge.

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