Considering how Bruce Springsteen has long been a devotee of the music from Phil Spector’s stable and many of his deeper album cuts convey the sounds of Detroit via their horns and storytelling, he’s taken a long time to get around to recording an album of soul covers. Perhaps that has much to do with him being a prolific songwriter himself – Bruce has effectively shelved albums and albums worth of material that many artists would consider top tier work – meaning that recording other peoples’ songs has never seemed like a priority.
Author Archives: Real Gone
PERFECT PLAN – Brace For Impact
In the year or so leading up to this third release from Perfect Plan, vocalist Kent Hilli kept himself more than busy. Considered by some to be the great white hope of melodic rock in the twenty first century, between 2021 and 2022, he not only issued two solo releases – an album of original material and an EP of covers – but also became the new frontman for AOR legends Giant, appearing on their very enjoyable ‘Shifting Time’ album, and even found time to contribute vocals to the second Restless Spirits album.
DETROIT REBELLION – Fake News
Back in 2013, Detroit Rebellion self-released their ‘Detroit Rebellion ’67’ EP, a four track blast of noisy garage blues delivered by two men who often valued pure grit over musical finesse. Continuing in the vein of the now missed Dead Exs and the perfect successor to their ‘Fork In The Road’ release, it showed how the rawness of a pure garage blues sound could often be relied upon to hit the spot, despite working to a fairly formulaic approach.
Some of the best tracks from those EPs were recycled for 2017’s full length release ‘The Man’, and when heard as part of a broader musical canvas, they lost none of their power. The duo continued to plough forward with 2018’s ‘See You Next Year’, channelling Morphine – sans saxophones – on ‘Snake Eyes’, conveying a really spooky edge on ‘Spit Fire’, and working their usual rowdy voodoo on ‘Wrong Number’, all of which suggested that, going forward, there would be even more mileage in their gritty sound.
WAX ON WATER – Ghouls & Fiends And In-Betweens… EP
Wax On Water’s full length album ‘The Drip’ (released in June 2022) presented an interesting mix of electronica, light goth and occasional industrial sounds. With a broad but dark sonic palate linked via a strong vocal, the album’s best tracks brought back memories of a vast array of alternative music from the early 90s . With it’s most mechanical bits not too far removed from something you’d find on Trent Reznor’s vanity label Nothing Records, and a more melodic streak presenting itself as if taking a moody swipe at Garbage, it was a recording that managed to mix the arty with a surprisingly commercial edge.
ORIANTHI – Rock Candy
Orianthi’s 2020 album ‘O’ marked an overdue return for the Australian guitarist. Her first album in seven years and her first for the Frontiers Records label, it appeared during the pandemic lockdown, adding to an ever growing pile of welcome distractions for rock fans the world over. You’d be hard pressed to call it forward looking in any way – the bulk of the music ploughed a furrow where classic 80s melodic rock was very much at the forefront of her semi-bluesy sound, and the video for its second single ‘Impusive’ seemed to want to set the feminist movement back by decades – but, as melodic rock long players go, it was enjoyable enough.