Real Gone’s End of Year Round-Up 2022

2022 has gone extremely quickly. With most people back at work in their offices and gigs being a regular occurrence, everything has felt far more like those old pre-2020 days. Almost as if to celebrate a shift back towards “normality” (though we’re no means out of the woods with regard to viruses) lots of our favourite bands went into overdrive, and a few of them even produced albums that are up their with their finest work.

Below, you’ll find Real Gone’s ten favourite releases of 2022, along with a few others that really stood out. It really has been a great year for music; some of the stuff we’ve not included was also of a very high standard, and it really felt like there was something new to explore every week.


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RUBY THE HATCHET – Fear Is A Cruel Master

Ruby The Hatchet made their first inroads into a recording career with the self-released ‘Ouroboros’ in 2012. Aside from the occasional one line hook, the DIY recording captured the raw talents of a brilliant stoner rock/deep psych band. With riffs heavily indebted to Kyuss’ majorly influential bottom end noise and Black Sabbath’s doomy origins, the band immediately had a strong musical root, but in vocalist Jillian Taylor it was clear they had something very special. Taylor’s clear and strong delivery always gave the music a melodic edge that other doomy bands didn’t always have. Even at such an early stage, her clean, crying style often lent the material a brilliantly haunting feel that would be hard to beat.

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