Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. Always a home for the varied and eclectic, this selection is no exception. In this – hopefully entertaining – batch, we bring you some solid sounding shoegaze, some synth based alt-pop from New Zealand, some hazy sounding indie folk and even a nod to big band swing sounds. As always, we hope you find something new to enjoy!
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By mixing elements of thrash and prog metal, Lower 13 have always taken a more interesting approach to constructing huge riffs than a lot of bands, but on their ‘Deception’ EP, their aggressive style takes a giant leap forward.
At the beginning of 2022, John Scarlata – aka ScarlataMusic – released his ‘Skatepunk’ EP. By dispensing with all vocals, his work immediately improved, and even though the release’s three tracks were presented with a demo-like quality, his lead guitar work was stellar throughout. In the main, his thrash-based melodies called back to albums like Jason Becker’s ‘Perpetual Burn’ and Marty Friedman’s self-titled disc, creating something very nostalgic.
Richard Evans will be best known to some music fans as having been a member of indie-pop band James, but this solo work casts him in a very different role. The three track ‘Dream of The World’ ventures deep into synthwave, sharing cold and mechanised melodies straight from the heart of 1984. In terms of going retro, it’s both huge sounding and brilliant; a nostalgic blast of a long gone era, redressed for a detached twenty first century landscape with near perfect results.
Hereafter’s debut EP ‘Fires of The Flame’ was one of those releases that showed promise. Right from the beginning, the material showed a great command of a riff, but a fairly terrible vocal often let the side down. Vocals can be make or break when it comes to a more extreme metal sound, and Hereafter’s fixation with semi spoken, semi growled lyrics often made the band seem like a strange novelty act. Nevertheless, the EP still offered a couple of tracks that sounded promising when heard in isolation – largely due to their abilities with a riff or three – and hinted at a band that could improve with time.