THROAT – We Must Leave You

On their 2018 album ‘Bareback’, noise rockers Throat created a sound that took the darkness of goth, the angular elements of post punk and the abrasiveness of industrial to create a record that was one of rock’s most confronting since The Birthday Party bowed out with ‘The Bad Seed’ in the early 80s. Sometimes sounding like Die Haut, sometimes like Fugazi crossed with something much darker, It’s fair to say, the album wouldn’t have been for everyone, but the way Throat took their influences, pushed forth and created something contemporary for the time of release was more than admirable.

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WYOMING YOUNG AND STRONG – Wicked Upon You EP

Recorded and mixed by Bloodhag’s Jeff McNulty and mastered by the legendary Tad Doyle, this EP from Seattle stoners Wyoming Young and Strong has a huge, live in the studio sound that makes similar works by renowned producer Jack Endino seem half-arsed. Presenting a wall of distortion coupled with sludge/hardcore riffs that sound like early Tad battling with ‘Ozma’ period Melvins, the band take the stoner metal sound from their earlier ‘Black Wire’ LP and ramp everything up about three fold. The results are absolutely devastating.

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JEREMY PORTER AND THE TUCOS – Five Foot Three & Tiger Eyes / While You Spiral

Jeremy Porter’s 2016 EP ‘Barrel of Tears’ was a three track gem. Its two original cuts shared some great guitar driven rock pop that harked back to the slightly rootsier end of the 90s, and the big hooks showed a huge love for material from the Soul Asylum and Kevin Salem catalogues. Best of all though, the release shared a superb cover of ‘Blue Letter’, a tune best remembered in its Fleetwood Mac incarnation from ’75, given slightly more of a country rock twang, and showing off Jeremy and The Tuco’s gifts for tight melodies with ease.

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KMFDM – Let Go

It’s hard to believe that the release of ‘Let Go’ ties in with KMFDM’s 40th anniversary. In some ways, it’s just as hard to believe that this record comes a whole decade after the brilliant ‘Kunst’, which at the time of this release, still felt like a recent work. No matter how much time passes, though, there are few things as reliable as a new album from Sasha ‘Käpt’n K’ Konietzko and his team. Fans know that a KMFDM record will give them pretty much what they’d hope for, and occasionally more…and that’s very much the case with this disc. Even after four decades on the road, on the bulk of ‘Let Go’, the KMFDM machine shows no sign of burnout.

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THE REAL GONE SINGLES BAR #37

Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. With January at an end and with 2024 having now gained momentum, the submissions are rolling in very fast. This week, picking favourites was almost a thankless task. People have sent so much good stuff our way after returning to work following the Xmas break! This time out, we bring you a couple of singer songwriters, some brilliant light sounding and alternative pop, a strong guitar instrumental, a slab of retro space rock and more besides! We hope you find something to enjoy…

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