Monthly Archives: July 2025

THE REAL GONE SINGLES BAR #115

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This visit to the Singles Bar is quite guitar driven in places, with a brilliant single from a Scottish pop-rock band, some heavy shoegaze, and a slab of enormous sounding stoner rock providing the backbone of the eight picks. That said, there’s still enough of a deviation from rock influences to make this as strong as previous Singles Bar selections, with a soulful number shared by one of George Ezra’s colleagues, a great synth based track, and a piece of soul driven pop ready to be discovered. As always, of course, we hope you find something new to enjoy.

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Watch: Manchester’s The Fear share crushing cover of James classic ‘Sit Down’

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British indie pop band James are beloved by many and have released a fine run of singles over the decades. ‘Come Home’, ‘Sound’ and ‘Getting Away With It’ are arguably among their best, but it’s only really ‘Laid’ and mega-hit ‘Sit Down’ that get heard on radio or in public with any kind of regularity. ‘Sit Down’ has become so overplayed over the years that you might not feel like you ever want to hear it again.

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MEGAFAUNA & HOMESICK GHOSTS – Nature Is Healing EP

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An array of inaudible voices greets the listener at the beginning of this EP, almost as if eavesdropping on a field recording of train station announcements sourced from a damaged cassette. With the arrival of a repeated three note keyboard riff lurking beneath a world of ambient sounds – ranging from something that sounds like the rhythmic clatter of trains on tracks, to noises that evoke imagery of workmen shifting huge piles of rubble – it’s clear that this listening experience will be more about creating a mood than enjoying any “traditional” music.

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MAX RAEL – The Enemy Is Us

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Barely three lines into the opening number of his solo debut, experimental musician Max Rael has already embraced differences not being like anyone else and told his audience he feels exhausted. The frankness in which the artist’s neuro divergence is discussed throughout ‘Slightly Less Than Human’ is a signifier of the album’s honest approach as a whole. ‘We Are The Enemy’ isn’t so much a collection of songs; more a world of personal statements, shared with a heart and disarming honesty, but also with the hope that Rael will attract kindred spirits. Obviously, this doesn’t aim for a broad commercial potential, but as albums go, it’s never less than interesting.

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