Monthly Archives: February 2019

A PLACE TO BURY STRANGERS – Fuzz Club Session

Posted on by

Once claimed to be “the loudest band in New York”, noise rockers A Place To Bury Strangers have carved out a true cult following since forming in 2002. By creating a sound that fused heavy distortion with gothic and shoegaze tendencies, their first two albums laid down some wantonly dense retro sounds, while their later releases somehow managed to feel a little more accessible without losing too many of the band’s most confrontational elements.

Their 2019 release ‘The Fuzz Club Session’ was recorded in a single day when APTBS visited Love Buzz Studios in South London at the end of a tour. According to frontman Oliver Ackermann, there are times where it’s possible for a band to feel tired of their own material after being on the road, so a little re-invention is needed to keep things interesting. That’s very much where this release comes in.

Continue reading →

HUMANITY DELETE – Werewolves In The Iron Sky

Posted on by

Humanity Delete’s second album, the retail-unfriendly titled ‘Fuck Forever Off’, was a great piece of death metal. For those able to make it past the terrible name and even worse sleeve art, the album showed how it was possible to take classic death metal tropes, shake them up a little and come up with something that felt traditional and yet still new and relevant. Often sounding like a death metal infused Lamb of God, these Swedes definitely showed an ability with a riff.

Continue reading →

THE SPECIALS – Encore

Posted on by

In 2008, the original Specials (minus founding member Jerry Dammers) performed at Bestival. The event was quickly heralded by fans as an amazing experience and the following year, the band embarked upon a massive tour. For many, it was the ultimate nostalgia trip; for younger fans, a very welcome – and unexpected – chance to see the band fronted by the legendary Terry Hall, something unseen since the very early 80s. Sure, the band had made albums with varying line-ups throughout the years and even put on a great live show fronted by Neville Staple in the late 90s, but the classic line up of the Specials was special for a reason. A second full tour in 2011 was captured for posterity on the double disc ‘More or Less…The Specials Live’, giving those who couldn’t make the shows in person their own chance to hear Terry “enjoying himself first”.

Most would’ve predicted the reunion would then fizzle, but over the next few years, other live shows followed. Finally, in 2018, almost a decade on from the big reunion, there were mumblings of a new album on the horizon.

Continue reading →

VARIOUS ARTISTS – Big Gold Dreams: A Story of Scottish Independent Music 1977-1989

Posted on by

A comprehensive five CD anthology telling the story of independent music from Scotland between 1977 and 1989, ‘Big Gold Dreams’ is an interesting box set. From the no-frills and DIY ethics of punk through to lavish alternative pop, Scotland had more than enough talent to make a huge mark upon music in the 70s and 80s and the country’s greatest bands were every bit as good – and better – than many of the hugely celebrated acts from Manchester and the south. The many independent labels had as much to give the world in terms of underground talent and beyond, so in lots of ways, ‘Big Gold Dreams’ isn’t so much a box set, an anthology or collection as a celebration.

For admirers of Cherry Red’s 2018 power pop and new wave anthology ‘Harmony In My Head’ and Edsel’s Gary Crowley curated box set of punk curios, the first two discs of this five disc set will alone be worth the purchase. Covering the period between 1977 and 1982, as you’d expect, these discs have more than a decent amount of punky fare and the nature of the source material means that various obscurities are released on CD for the very first time.

Continue reading →

GRAVE FOR SALE – Garajo EP

Posted on by

Romania mightn’t be the first place you’d go looking for surf rock sounds, but Grave For Sale are a band deeply immersed in the retro style. Their musical universe draws influence from greats like The Ventures, but also applies sounds that could be found at the heart of horror rock, often resulting in tunes that sound like a blend of fine garage based melodies and a deep cut from a Tarantino soundtrack.

Their second EP, 2019’s ‘Garajo’ is seriously great. It has an old spirit, but a really beefy sound and its five tracks cover a lot of ground, yet at the same time, sound like tunes that belong together. In short, it’s a superb twenty minute showcase for a band whom deserve a larger fan-base.

Continue reading →