GET THE FUCK OUTTA DODGE – These Songs Still Aren’t Ours

Following a couple of DIY recordings, UK hardcore/noise punk duo Get The Fuck Outta Dodge turned their hand to the covers album. ‘These Songs Aren’t Ours’ brought an equal mix of punky chaos and fun when James (bass/shouting) and Ren (drums/more shouting) hammered their way through the expected (tunes by Black Flag, Misfits and Rollins Band), to the inspired (a fuzz heavy version of The Cure’s ‘Screw’) to the joyous and bizarre (hardcore reworkings of tunes by the oft forgotten Whale and 80s pop stars Fuzzbox). It showed why a covers album need not be lazy or uninspired. After what felt like about thirty six hours, the never resting duo returned with a new EP, proving their minimalist hardcore had a lot more to give, before ending the year with another full-length. At the point you’d expect their drums/bass/shouting approach to be wearing thin, ‘Buzzkill’ actually presented GTFOD at their most visceral on one of the best releases of 2020.

Four months later, the duo released a second onslaught of cover tunes, ‘These Songs Still Aren’t Ours’, which very much follows the same pattern as their first covers release. Nothing is off limits; everything is subjected to a barrage of distortion, and as before, their choice of material is both classic and off-piste. With twenty two tracks filling a strictly limited cassette, it really gives fans a lot to enjoy.

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R. MISSING – Placeholder For The Night EP

If you spend time poking around on the internet, chances are you’ll find very little about New York’s R. Missing. Not only does this musical project boast a less than friendly name for search engines, when you do track them down, their social media accounts give no real sense of history or any kind of backstory. It seems that the self-confessed “darklings” are happy enough existing somewhere on the fringes of social interaction; always content to creep out of the shadows from time to time when they have something important to share. When you finally get to hear them, you realise that this is all very deliberate, as there’s plenty about their darkwave sounds and bleak synth based tunes that suits their aloof approach perfectly. The blankets of synth pop/alt-pop that filled their 2017 EP ‘Unsummering’ suggested a musical interest that fell somewhere between Cocteau Twins, Lana Del Rey and the much overlooked Smoke Season – all very strong building blocks – but their second release, the ‘Placeholder For The Night’ EP (released in the death throes of a troubled 2020) promises even more musical detachment.

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Check out Nuclear Winter’s cover of the Mötley Crüe classic ‘Wild Side’

Nuclear Winter – the one man metal project masterminded by Gary Stautmeister – is set to return in May with a full length album, ‘Greystone’. Following last year’s ‘StormScapes’ EP, the new release promises a similar blend of heavy riffs mixing melodic death metal with industrial and djent edges, further cementing Gary’s place within the underground metal scene.

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TWISTER – Ten Years Of Failures EP

Their name might not be among punk’s most familiar, but Twister are one of many great punk bands from Italy. They’ve shared labels with Latte+, Mega and Killtime, churned out some solid melodic punk and Ramonescore sounds, and slowly forged their way to cult status. Their 2016 LP ‘We’ll Be OK’ gained a few positive online reviews, but became most memorable due to a sleeve that paid homage to the legendary Teen Idols. By the end of 2020, they were still relative unknowns compared to some of their peers, but they were still capable of releasing some fine, melodic fare.

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