Cathari’s 2023 release ‘In God’s Infinite Silence’ presented six tracks of wonderful bleakness. On that record’s best tunes, the band’s doom metal influenced sound centred around a clean vocal and clean guitar, which often resulted in its oppressive feel coming from a gothic perspective. Going a little deeper, an intermittent concession to cold post-metal, as opposed to recycled Sabbath-isms, gave the band a strong sense of identity. When reaching for further extremes, passages where doom collided with abrasive black metal influences suggested Cathari were already drawing from a bigger well of intensity than most. Overall, the record left the feeling that the band might deliver something even more intense going forward.
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RED MESA – Partial Distortions
Red Mesa’s second album ‘The Path To The Deathless’ brought the world a selection of finely crafted riffs during the pandemic lockdown of 2020. At the album’s most melodic, tracks like ‘Death I Am’ injected an extra spookiness into a classic desert rock backdrop; at its most groove laden, Red Mesa blended the driving elements of early Sabbath’s faster offerings with an extra layer of fuzz that looked back to classic Corrosion of Conformity, and when occasionally stretching for heavier sounds, their slow and oppressive riffs showed a love for the mighty Electric Wizard. In terms of taking a bunch of key influences and chucking them into a giant stoner metal stew, it was the kind of album that genre fans would love.
9-VOLT VELVET – Nude Beaches
Texan rockers 9-Volt Velvet serve up a superb selection of riffs on their first full length release ‘Nude Beaches’. It’s a record that values directness, with each of the tracks feature some really taut riffs, but unlike some garage rock oriented bands, 9VV’s best tunes aren’t just in the Band of Skulls mode. The best bits of this album draw from a broader musical palette, and sometimes do so within a single song.
HOT FIENDS – Cult Supreme EP
Brighton’s Hot Fiends aren’t shy of a massive riff. Nor are they afraid of a sharp edged vocal. Their sound is much broader than a lot of other DIY punks, however, and on their debut EP ‘Cult Supreme’, they deliver some truly abrasive noises. In their own words, the music represents “a sonic slap”; for those keen to apply easy labels, it’s fair to say its five tunes take in hardcore punk traditions and splice the speed with bits of extreme post-metal, but the material also finds time to explore some genuinely uncompromising noise rock. When chucked in a giant musical blender, it ends up sounding much closer to a very confident post-hardcore racket, but the five tracks are anything but predictable.
HATS OFF GENTLEMEN IT’S ADEQUATE – One Word That Means The World (Arkhipov) / Music For Dancing
When approaching a fusion based style, London’s Hats Off Gentlemen It’s Adequate are rarely anything less than interesting. Since their inception, the musical duo have painted an art rock canvas that’s blended prog, pop, funk and ambient textures in a way that – for the want of an easy descriptor – sometimes makes them sound like The Pineapple Thief jamming with the rhythm section of early 80s King Crimson. At other times, you might stumble upon the atmospheres of later Talk Talk, or swathes of guitar work tipping their more than adequate hat in the direction of ‘In Absentia’ era Porcupine Tree, but almost always with the Gentlemen’s own, slightly odd, twist. Simply put, you can rely on them to tease your ears with something pleasingly complex.