Max Rael’s debut single ‘Brighter Future’ pushed the alternative envelope by applying spoken word passages to bleak sounding synth backdrops, creating an almost dystopian musical landscape. The number’s darker side was effectively offset by the History of Guns man offering listeners a positive lyric, where he suggested we can look to the past and learn from mistakes to forge a brighter future. Issued at a time when the world seemed incredibly negative with seemingly little escape from a political turmoil, Rael’s optimism – no matter how obtusely applied – offered fans of less mainstream music a small beacon of hope.
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ECCE SHNAK – Backroom Sessions EP
The release of Ecce Shnak’s single ‘Jeremy, Utilitarian Sadboy’ in October 2024 marked a triumphant return for the most cult of art rock bands. Their first new recording in five years, the track shared something almost uncategorisable. Jumping from frenetic beats and rock riffs into post punk sounds, and eventually descending into a choir of voices sharing a warped carny melody, it packed more into three minutes than some bands manage over the course of entire albums. Their subsequent EP ‘Shadows Grow Fangs’ (released in February ’25) proved to be equally as inventive, sharing a half dozen numbers that seemed as keen to bemuse as entertain.
BAD VALENTINES – Memory Tattoos EP
It takes all of two bars of Bad Valentines’ ‘Last Days In The Sun’ to advertise the trashier end of this Finnish band’s rather varied rock sound, when a high toned guitar wails against a punchy backdrop. The immediate effect is like discovering a more melodic deep cut from earlier Scandinavian bands like Gluecifer, or a more pop-centic Hellacopters. Their rock ‘n’ roll chops shine even more brightly when a rousing lead guitar break rears up midway, but its when reaching for more melodic climes that this EP’s opening track really comes into its own. A punchy verse is offset by a hugely melodic and really confident vocal courtesy of scene new-comer Hon, and although she sounds great on the verse sharing more of a pop-rock tone than the music immediately suggested, it’s when hitting a harmony driven chorus she really begins to impress. It’s fairly simple with the band using an ascending melody to reach a one line hook, but the results are as catchy as hell. In terms of making a good first impression, this introduces Bad Valentines in the best possible way. It’s a genuinely strong number.
LÙLÙ – Lùlù
When French band Lùlù released their eponymously named debut single in the closing weeks of 2024, it felt like the most exciting thing to happen to the power pop world since Gavin Bowles & The Distractions released their debut LP a year earlier, or possibly even since The Shang Hi Los released ‘Aces, Eights & Heartbreaks’ in January 2023. It’s not even that the track broke new ground; far from it, in fact. Its all round brilliance came from a desire to work squarely within a classic style.
TEENAGE BUBBLEGUMS – Infamia EP
In a pre-lockdown age, Italian punks Teenage Bubblegums hit their audience with a sound that blended huge influences from the early Ramones catalogue with the musical prowess of a couple of 90s Fat Wreck bands. That approach really came of age when the band cranked out ten numbers in under fifteen minutes on their 2019 “long player” ‘In Limbo’. The record’s chunky riffs and dual male/female vocal created something tough yet melodic, sharing something that could be enjoyed by a broad spectrum of Europunk fans.
Five years on, the ‘Infamia’ EP presents a much more mature and rather different sounding band. Allowing themselves room to stretch out, the five featured tracks take almost as long to play through as twice as many songs from the Bubblegums’ past, but the band’s command of a riff is still great.