When Hell In The Club released their debut album back in 2011, it was almost impossible not to be impressed by their retro sound. The Italian rock band truly went back to basics, borrowing riffs from early Skid Row and Motley Crue. By coupling those with anthemic choruses inspired by early Danger Danger, they obviously realised that a job well done would trump any originality at every turn. The result was an album with hooks so massive, it couldn’t fail to win over fans of glammy hard rock with a party attitude. The band worked the same formula for another three albums over the next six years, and although this never resulted in any huge sales, the routine appearance of their records was to the delight of their fan base. Despite changing musical fashions in the rock world, there was still clearly an audience ready to embrace the sounds of their youth…and with open arms.
Tag Archives: rock
THE RIVEN – Windbreaker / Moving On
In terms of quality, The Riven’s self-titled record from 2019 was streets ahead of their debut EP. Although both releases are solid in terms of playing and song writing, the album vastly outshone the EP in terms of production values and vocal performances. This suggested The Riven’s third release had the potential for a few incendiary riffs. Although that third release turned out to be a two song stop-gap, in terms of old style sounds, both ‘Windbreaker’ and ‘Moving On’ (issued on a strictly limited vinyl in August 2020) really doesn’t disappoint.
POWERMAN 5000 – The Noble Rot
It must be hard having an older brother who is more famous than you. For Powerman 5000’s Spider One – younger brother of the legendary musician and film-maker Rob Zombie – it has meant constantly playing second fiddle in the rock press. Powerman have received some absolutely scathing reviews over the years – and most of them unfair. They’ve recorded some great work. Their ‘Blood-Splat Rating System’ full length (reissued as ‘Mega! Kung Fu Radio’ with the addition of a couple of earlier EP tracks) featured some cracking songs, even if it showed signs of a band still in need of some refinement. 1999’s mega-selling ‘Tonight The Stars Revolt’ remains an alternative metal classic; its riff heavy and hook heavy style could easily go head to head against Rob’s best work, and its sci-fi obsessed lyrics really helped to give PM5K a strong identity. Had the follow up ‘Anyone For Doomsday?’ not been pulled from release at the eleventh hour, the band’s quest for world domination would have been assured, but with shifting line-ups and varying musical styles dominating the next couple of releases, Powerman became very much more of a cult band.
MATTY JAMES CASSIDY – Old Souls
“Time catches up to you…and comes for us all” sings Matty James Cassidy during the chorus of ‘After All’, an instant highlight from his 2020 full length release ‘Old Souls’. It’s a sentiment that really seems to fit, as for the artist formerly known as Matty James, it seems he’s had nothing but time to reach this point in his career. Over a series of independent releases, he’s honed his mix of rock, blues and country to the point where this album genuinely sounds like a work calling out for greater attention. For anyone previously aware of Cassidy’s work, it’s a record that will more than entertain and thanks to a stronger sounding band and a much better production value, he’s turned in some of his best songs to date. ‘Old Souls’ has very clearly been made on a bigger budget, although fans should not worry that “bigger budget” somehow translates into “smoother material”, or be a case of that old chestnut “selling out” (a favourite war cry by record buyers who fear change and aren’t musicians themselves).
JEFFERSON STARSHIP – Mother Of The Sun EP
When Jefferson Airplane morphed into Jefferson Starship in the early seventies, guitarist Paul Kantner was always there to help give the band a true anchor. Despite constantly changing line-ups and changing sounds throughout that decade and beyond, they made some great albums. When Kantner left the band in 1984, he took the Jefferson name with him and although that marked the end for an important phase of the Airplane/Starship story, the remaining members of the newly named Starship (sans Jefferson) went on to have their greatest success. Although often derided, their mega-selling ‘We Built This City’ (co-written with the legendary Bernie Taupin) was a massive success on both sides of the Atlantic.
Following Kantner’s return in 1992, the band (now with the Jefferson properly reinstated) didn’t have so much in the way of commercial success. However, they continued to work hard and various incarnations of Jefferson Starship could be found touring the States in the first part of the twentieth century, in all kinds of venues and on all kinds of nostalgia bills. Several official bootlegs document this time and can be listened to with varying degrees of enjoyment. Between 1992 and 2019, only two new studio albums (1998’s ‘Windows of Heaven’ and 2008’s ‘Jefferson’s Tree of Liberty’) made it into the wild. Neither were very good, but Jefferson Starship trucked on, much in the way they always had, until Paul passed away in 2016.