THE REAL GONE SINGLES BAR #2

Welcome back to the Real Gone Singles Bar, the place where we explore some of the single MP3s that have landed in our inbox over the previous few weeks. As always, there has been absolutely no shortage of digital tracks coming our way, and this time, our assortment brings you some great shoegaze, massive stoner metal riffs, a singer songwriter or two, some big rock sounds, and even something from the rootsy end of the musical spectrum. We hope you find something to enjoy, and our digging to find the best of a current crop inspires you to explore these bands and artists a little further.

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BAD MARY Trash & Glamour EP

Bad Mary’s third release, 2016’s ‘We Could Have Saved The World’ presented a great blend of pop punk and trashy rock, as if the band had absorbed little bits of the second Save Ferris album and Duff McKagan’s Loaded, before regurgitated them with bits of Bowling For Soup’s pop savvy, which created something of their own. It was the kind of EP that deserved to win fans quickly, and on their 2019 full length, the band showed off an equally impressive array of musical skills that suggested their love of classic styles wasn’t about to wear thin any time soon.

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THE REAL GONE SINGLES BAR #1

Welcome to the Real Gone Singles Bar, a new feature where we explore some of the digital tracks that have been sent our way. We’ve always shied away from single coverage in the past, as the art of appreciating a full album is special, but listeners’ habits – and the way a lot of bands are releasing music – has changed. We’re now constantly finding ourselves with an inbox full of individual MP3s that fall by the wayside. Rounding up some of the best seemed like a good idea, and its something we’re hoping to take forward in tandem with our usual coverage. We hope you enjoy it and find something special enough to follow up!

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THE SHANG HI LOS – Aces, Eights And Heartbreaks

The debut EP from The Shang Hi Los was a little rough around the edges, but at its heart, it had some great songs. The musical marriage between guitarist Danny Kopko (Watts) and Jen D’Angora (Downbeat 5) seemed to be a perfect one, and their mix of garage rock and retro pop suggested great things ahead. A couple of years on, this full length album is bigger sounding, more slickly arranged and better produced, creating the kind of record that’s almost everything fans could’ve hoped for. By tackling various different styles throughout, it sometimes has a restless spirit, but some strong vocals – aplied brilliantly throughout – ensure the material hangs together well as a showcase for the Boston band’s talents.

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HEAVENS EDGE – Get It Right

The 1990 debut from Heavens Edge is held in high esteem by some melodic metal fans. Released during the tail end of the big hair boom, the record mixed different rock and metal styles with some inconsistency, but when the record really hit the mark, it showed off a really talented band. From high octane solos and riffs on loan from Judas Priest’s ‘Point of Entry’ on ‘Play Dirty’, to unashamed party rock derived from Warrant (‘Skin To Skin’), a passable take on a Ratt-ish sound (‘Bad Reputation’) and even a couple of melodic rock standouts (‘Come Play The Game’, ‘Find Another Way’), it became an album with something of interest to many hard rock fans at the time. Unfortunately, their musical enthusiasm didn’t translate into mega worldwide acclaim – or sales figures – and following a few years of swimming against a musical tide, the band split in 1993.

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