BLOODY HEELS – Rotten Romance

Latvian rockers Bloody Heels began carving themselves a niche within the hard rock scene in 2012, but it was only with the release of their third record ‘Ignite The Sky’ that they really attracted wider attention. That album, their first for Frontiers, potentially placed them in the hard rock ranks alongside Hell In The Club, and really upped the ante with regards to their chorus writing. It was all very old fashioned, but that, in many ways, was the whole point. Their celebration of all things big haired and carefree actually created a great tribute to the hard rock glory days of 1987-1991, and as such, attracted a keen audience who still wanted to hear old school rock churned out with a real enthusiasm.

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PETER BARDENS – Long Ago, Far Away: The Recordings 1969-71

Keyboard player Peter Bardens first achieved wide recognition as a member of UK prog band Camel, but prior to their formation in 1971, he had already taken major steps towards a full time musical career. He was first a member of Peter B’s Looners – a blues and soul band that eventually became Shotgun Express and featured future megastars Mick Fleetwood and Rod Stewart – before joining Irish rhythm and blues band Them in time to record their debut album. By 1969, he’d become a member of the short-lived band Village, which also featured future Sutherland Brothers & Quiver bassist Bruce Thomas, later to achieve genuine stardom as a member of Elvis Costello’s Attractions. For anyone with a keen interest in the history of British R&B, these musical ventures would be enough alone to secure Bardens a place within a pantheon of cult musical figures.

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VENUS 5 – Venus 5

Another act from the conveyor belt of Frontiers’ manufactured talents, the thinking behind Venus 5 was to create a “credible metal version” of the ultimate girl group. Label boss Serafino Perugino had obviously thought about the sales potential of multi-voiced pop acts and figured that a huge harmonic potential could be transposed to something heavier and still work. In some ways, he isn’t wrong, since this debut album never sells the listener short on massive vocals. He isn’t necessarily right either, as there are times throughout its eleven tracks where being constantly confronted with all five voices most of the time can be a little wearing. It’s not that the girls can’t sing; each member has a very strong voice, but the opportunities to hear them performing apart aren’t always so forthcoming as they perhaps could have been.

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REAL GONE GOES OUT: Electric Six – Booking Hall, Dover, Kent 2/6/2022

It’s barely seven months since Electric Six last visited the Kent coast. In November 2021, the Detroit legends packed out the tiny Music Hall in Ramsgate, and tonight it’s the turn of its slightly larger cousin, the Booking Hall in Dover, to play host to the ever quirky Dick Valentine and his assorted friends. Unsurprisingly, the show is a sell out. Unbelievably, the band have attracted a few people in the audience who are seeing the Electric Six bonanza for the very first time. Using the Ramsgate show as a benchmark, whether a casual observer or died in the wool fan, everyone is in for a genuine treat.

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THE SILVER LINES – Sleaze EP

London based rock band The Silver Lines sometimes convey a very retro sound, but unlike some, they’re keen to take a few key influences and at least try to twist them into something new. On their debut EP, you’ll find swathes of retro indie jangle, even a heavy dose of funk, and yet the band never sound as if they’re settled within either camp. Their sound can seem a little busy, yet remains focused; their song writing is hooky, but never anthemic. You might say that The Silver Lines sound absolutely natural – and that would certainly be true of frontman Dan Ravenscroft’s unmistakably British vocal delivery – but whichever way you approach their music, there’s something interesting lurking beneath the surface.

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