DUCK & COVER – No Hounds In The Cluster

Between 2020 and 2025, Boston band Duck & Cover released a succession of digital singles and EPs that showcased their sometimes ragged, sometimes retro, often enjoyable rock sounds very effectively. The material didn’t necessarily reach beyond a cult audience, but the band’s various college rock and noisy power pop influences often struck a chord with those who stumbled across the band’s work.

2025’s semi-punky ‘Bored of The City’ was actually one of Duck & Cover’s finest numbers to date, and this didn’t escape the notice of Rum Bar Records. Taking the digital wares from that six year stretch and adding a previously unreleased nugget, they gave the material its first physical send off at the end of that year with the fourteen track ‘No Hounds In The Cluster’ – a collection that plays brilliantly as an album in its own right.

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Watch: Check out ‘A Stone’s Throw’, the new video from Soho Dukes (featuring Spike Gray)

At the beginning of October 2025, Soho Dukes released ‘Sunday Magazines’, an unashamedly British sounding single that celebrated the past with a namecheck for Whispering Bob Harris and a rollocking arrangement that borrowed liberally from Mott The Hoople and early Quireboys. With a vocal hook on loan from Cockney Rebel, it was anything but subtle, but in terms of pushing those “feel good” buttons, the Dukes served up a winner.

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THE REAL GONE SINGLES BAR #128

This week’s visit to the Singles Bar brings a whole world of variety. Bookended by two genuine power pop bangers, this selection of tracks also takes in some really tight funk, a new track by a cult singer songwriter from Scotland, the long overdue return of a dreampop inspired indie band, a loving recreation of a cast iron classic…and more. As always, we hope you find something new to enjoy!

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DOTSUN MOON – Moments In The Sun EP

Dotsun Moon’s ‘Tiger’ album is an unmissable treat for lovers of 90s influenced sounds. Released in June 2025 and coming a full nine years after the previous full length Dotsun release, you could never accuse multi-instrumentalist Richard Fliel of hurrying his work, but you can hear the love that went into this long overdue second album from the moment you hit the play button. Taking in influences as disparate as Harold Budd, mid 80s Wire, ‘Disintegration’ era Cure and applying a liberal amount of his own style, Richard created a work that often felt familiar, but deep enough to feel like something that would ultimately grow beyond its (admittedly great) musical touchstones.

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THE REAL GONE SINGLES BAR #121

Welcome back to the Real Gone Singles Bar. This time around we bring you sounds ranging from the ultimate tribute to 90s alternative, to an Americana infused track bristling with harmonies, to a strange synth based workout that blends spiky rhythms with a sly humour. There’s a number with a terrific bassline, and even an underground act outdoing a legendary power pop band. As always, we hope you find something new to enjoy!

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