Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we bring you a genuinely sharp sounding piece of post hardcore from Brighton, a well arranged slab of stoner metal, the overdue return of a goth influenced act, a trio of very different singer songwriters…and more. As always, we hope you find something new to enjoy.
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In the summer of 2025, The Rockerati released the ‘Black Book’ EP, a four song release celebrating a retro rock style that built upon the year’s previous single releases in a way that suggested the Brighton based band had reached peak confidence. Their earlier releases had attracted attention from a couple of major rock mags, but there was something about these DIY recordings that came a little closer to sharing a raw and honest sound.
As their name might suggest, Messiness make music that doesn’t always fit neatly into a box. By taking elements of rock and indie, a swathe of older psychedelic elements and a pinch of alt-pop, their debut album shares sounds that are always interesting, even if they don’t always work.
Around the turn of the millennium, the oddly named Drool Brothers delivered a self-titled debut LP that shared a world of different rock and funk influences to create an interesting listen. ‘Fullerton’ somehow managed to fuse baggy-centric rhythms, garage rock guitars, psychedelic elements and semi-spoken vocals without sounding too messy; ‘Happiness Fair’ filled a couple of minutes with heavily treated voices and dance-y beats; ‘Can’t Lick It’ threw a world of fuzz guitar over an upbeat groove and peppered with it with a world of surf tinged melodies and a keyboard sound that felt as if it paid homage to ‘Schoolhouse Rocks’; ‘Blue Velvet Pig Mask’ sounded like a Funkadelic tribute, by way of a rock band deep into experimentation. Better yet, the album’s stand out, the effortlessly cool ‘Lay With It’, worked keys and horns into a soul groove that paid homage to Jr. Walker & The All Stars. There might be many words to sum up such a record, but “eclectic” fit the bill better than most, and while it didn’t always sound like the creative endeavours of the same band, somehow, the Brothers managed to make it all work.
This visit to the Singles Bar brings some great music, ranging from a 90s influenced alternative pop tune, to a strange slice of prog that sounds like it should score a folk horror film, to a brilliant soul tune with a timeless quality and even a hard electronica number that marks the pinnacle of work from cult act. You’ll find a couple of names making their return to the SB this time around, but the selections are anything but predictable! As always, we hope you find something new to enjoy!
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