THE FIERCE AND THE DEAD – Live USA 17

2018 was a landmark year for UK art rockers The Fierce And The Dead. The release of their third full length album really caught the imaginations of those at Prog magazine and their readership. Always progressive rather than prog, TFATD really branched out on that record. Some of its material (‘Truck’,’48K’) showed the band in a slightly heavier mood than before, while other bits seemed more commercial…without actually being commercial, if that makes sense. Whatever, the album and its subsequent coverage found the band in a position of strength. With an army of new fans, they could now legitimately call themselves a cult band.

The lead up to ‘The Euphoric’s release was first documented on ‘Field Recordings’, a live album recorded in 2016 at the second Rambin’ Man Fair in the UK. This second live release captures the band a year later at Rosfest 2017 during a rare visit to the US. But…with not that much time since ‘Field Music’, is there any real need for a second live release?

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Post-Euphoria: An interview with The Fierce And The Dead

The Fierce And The Dead have had a great couple of years. Interest in their third album ‘The Euphoric’ was far greater than expected and higher profile live shows have really seen their fanbase grow. At Real Gone, we’ve been fans of the arty instrumental band’s work for some time, so the opportunity to catch up with Matt Stevens (guitar/loops) and Kev Feazey (bass) was something we couldn’t miss. With the release of a new live album just around the corner, they had a lot to say…

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Massive Pink Floyd “Later Years” box set coming soon

A newly remixed vinyl version of Pink Floyd’s 1987 LP ‘A Momentary Lapse of Reason’ is something that’s been long rumoured for release at some point, but fans are soon going to receive more than they ever hoped for with a multi-disc, multi-format box set rounding up a whole host of late 80s recordings.

Dubbed ‘Later Years’, the huge box is set to truly be the ultimate release for fans of the band’s first post-Waters work.

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DAXMA – Ruins Upon Ruins EP

Two years on from their devastating ‘The Head Which Becomes The Skull’ Californian doomsters Daxma (pronounced Dahk-ma) unleash a career best with the ‘Ruins Upon Ruins’ EP. Their first release for Blues Funeral Records, it might look like a stop-gap since it features just two songs but the reality is somewhat different. Each of the featured pieces stretches beyond ten minutes (one even fills a full quarter of an hour), meaning that, combined, the two riff laden offerings actually have a running time that’s almost as long as various rock LPs from the late 60s.

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