Howard Jones: A Doll’s House In A Small Street – Inside the ‘In The Running’ Super Deluxe Edition

After a run of synth pop hits, Howard Jones took a musical detour. All artists grow and change, but the bulk of the material on his fifth album ‘In The Running’ (originally released in 1992) presented Jones in a more introspective light. Its ten songs tackled heavyweight subjects like pent up aggression (‘Gun Turned On The World’), mental illness (the self-explanatory ‘The Voices Are Back’) and the need for forgiveness (‘One Last Try’). Musically, his trademark synth pop style was dropped in favour of more of an adult AOR sound, sometimes much closer to Bruce Hornsby, and unfortunately, the UK radio stations seemed less than convinced. The album didn’t yield any massive hits and it subsequently became overlooked by all but the biggest fans.

By the early 2000s, it was much easier to find a copy of ‘In The Running’ from a US cut out bin than anywhere in the UK. A 2012 reissue coupled the album with ‘One To One’ and ‘Cross That Line’ and associated extras, but aside from a cover of Donald Fagen’s ‘IGY’ (released as a single in ’93) it didn’t offer much by way of ‘Running’ era extras. With that in mind, a massive reissue coupling the original album with a wealth of extra period material was something of a necessity. This four disc set from Cherry Red (issued in April 2021) aims to be the last word for ‘In The Running’, since it features a truckload of remixes and extra goodies alongside a DVD where Howard reflects on a much underrated work.

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Dany Laj and The Looks return with brand new video

Unless you happen to be from Ontario, or perhaps have an unhealthy obsession with Transatlantic power pop, there’s a good chance the name Dany Laj will not mean much to you. With his band The Looks, Dany has been cranking out quirky pop-rock sounds since 2016, but his recorded output goes back even further with a (now rare) solo EP from 2010.

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THE 1957 TAIL-FIN FIASCO – Don’t Go Anywhere

Those with a keen ear for underground pop music will already be aware of The 1957 Tail-Fin Fiasco. The Essex based musical duo featuring vocalists/multi instrumentalists Malcolm Moore and David Myers first appeared on the power pop scene with their ‘Private Jet Flashback’ album in 2013, and armed with a quirky sense of humour and a boundless love of Steely Dan, they quickly marked themselves out as champions of a retro style. Although further releases occasionally included a few rockier moments alongside weird nods to tangos and lounge music, the band’s love of all things brilliantly kitschy held firm.

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Watch ‘Say A Lot With Light’, the minimalist new video from The Workday Release

“I’ve been holding back the words until I mean it”, sings David Ottestadt, aka The Workday Release, during his current single ‘Say A Lot With Light’. The beautifully arranged and piano based pop track reminds us all that sometimes less can be more, and that unexpectedly heartfelt moments can mean the world to the recipient.

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Justin Kline returns with Dungeon of Skeletons

Those of you with long memories will remember Justin Kline.  The Nashville based singer songwriter built upon his cult following with an excellent power pop EP, ‘Triangle’, back in 2010.  By 2012, he’d reinvented himself in a rockier guise as frontman of the short-lived Weezer-esque Origami Hologram.

Justin seemed to be one of those people that showed a natural flair, regardless of whatever musical subgenre he approached, but following a release of home demos and a self-depreciating EP ‘Doormat’ in 2013, he seemed to disappear.

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