Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time out, we welcome back an indie hero with a superb solo venture, celebrate some big, modern pop from a rather prolific artist, take in a couple of metal tracks and even make time for some classic sounding yacht rock. As always, we hope you like what you hear.
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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous couple of weeks. This time around, we bring you some pastoral prog from a DIY multi-instrumentalist, a great pop throwback to a pre-Beatle age, a slice of country, a great R&B number…and more besides. As always, we hope you discover something new, and if you like what you hear, why not drop by and tell us? The submissions for the SB are still coming in fast, so there’s a lot more great stuff to come!
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There’s rarely such a thing as overnight success, but at the beginning of 2025, it almost felt as if Scottish pop punk band Around 7 have been lurking on the underground without a “major breakthrough” forever. That’s certainly not a reflection on the quality of their songs or playing abilities, however – the four tracks that make up their ‘A Tale of Martyrs & Heathens’ EP are absolutely superb.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This week’s selection sees the return of a band who’ve been featured on our site a few times – and they’re sharing one of their best tracks to date. You’ll also find some cool downtempo electronica, some raw garage rock, a singer songwriter with a great mellow sound, and more… As always, we hope you find something new to enjoy!
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By opening with a blusterous rhythm, Emi Pop’s ‘No Puedo Dormir’ is a track that immediately grabs the listener’s attention. The sharply delivered drums and bass set up a great punky rhythm during the intro, but the number is actually far more melodic than first impressions suggest.