Watch Kurt Baker’s new animated video for ‘New Direction’

In the age of streaming and the likes of Spotify supplying a world of new tunes at the push of a button, it sometimes feels as if music has become a disposable commodity.  Albums often appear, get a six week promotional cycle and then disappear just as quickly, leaving the consumer to move on to the next quick hit.

Good music deserves far more of a shelf life. How else are new releases allowed time to grow into the new ‘Pet Sounds’ or ‘Born To Run’?  Nobody understands how important it is to cling onto great music than Kurt Baker.  He’s still busily promoting his 2020 album ‘After Party’.  Since that album was released, he’s relocated back to the US, hooked up with his old bandmates (including Kris Rodgers of Dirty Gems fame), and started playing new gigs in support of the record. There’s so much about it that could be his best to date, so it really deserves this ongoing love.

Continue reading

Watch the new video from Yes

The twenty second studio album from Yes, ‘The Quest’ demonstrated how the ever evolving and legendary prog band were still capable of making great music.  With a delicate balance between soaring melodies and complex structures, the album harked back to classic Yes in many ways, but also showed how they refused to become stagnant.

Continue reading

Corners of Sanctuary share new video and free download of Def Leppard cover

For a rock band so well loved, Def Leppard aren’t often given the cover tune treatment. You might remember Emm Gryner’s excellent ‘Pour Some Sugar On Me’ on which, the Canadian singer songwriter gave the Leps’ huge hit the “full Tori Amos” treatment, or perhaps, you’re fond of Hayseed Dixie’s bluegrass take of ‘Photograph’, but for a multi-million selling band, reinterpretations of their work seem few and far between.

Continue reading

Ewan MacFarlane reflects on ‘This Year’ with new xmas single

With its easy blend of adult pop and narrative driven lyrics, Ewan MacFarlane’s debut solo album ‘Always Everlong’, released in 2021, set the Scottish singer songwriter on a very accessible musical path this year. Displaying the kind of talent that makes him appealing to a broad audience, it was easy to hear traces of Tom Petty in the title cut, but there was far more about the album’s maudlin moods that shared a heart with past works by fellow Scotsman Blue Rose Code, even without the material taking a pop/rock route rather than an obvious country influence. Whatever your take on it, the album – which took shape during the first lockdown of 2020 – couldn’t be any further removed from MacFarlane’s earlier recordings with Apollo 440.

Continue reading