Watch: Night Thieves share new video for ‘Home’

The previous two singles from UK metal band Night Thieves managed to convey very different aspects to their huge sound. ‘Obsidian’ shared a love for early Linkin Park and Paramore, but added a heavier edge that worked brilliantly against a great vocal, blending retro alternative and slight goth influences with ease, while ‘Mycelia’ unleashed a heavier sound, driven by pneumatic drums bringing more of a metalcore edge. By retaining a clean vocal, this still managed to be very accessible.

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Watch: Absinthe Green present ‘Death By A Thousand Cuts’ [Trigger Warning: Graphic Imagery]

If you’re only vaguely aware of Absinthe Green, chances are you discovered them via their love of cover tunes. In 2025, they gained some online traction with a fun (but rather wobbly) cover of the Spice Girls hit ‘Viva Forever’, transforming the popular ballad into a guitar driven, gothic workout that allowed the song to be heard in a whole new way. Every Xmas, they also reshare their cover of ‘Santa Baby’, reworked with a heavy doom riff as ‘Satan Baby’.

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Watch: False Thoughts share new video for ‘I’ve Got Friends’

Over the past couple of years, it’s become the norm for most metalcore bands to share a heavy sound driven by relentless pneumatic rhythms, with clear influence from bands like Killswitch Engage and Crystal Lake.

With that in mind, it’s actually quite refreshing to hear False Thoughts adopting far more of a traditional hardcore sound – something far more in line with the hardcore punks of the 90s like Strife and Earth Crisis. Their current single ‘I’ve Got Friends’ clocks in at a little more than two minutes, but the band make more of an impact in that time than some manage in over twice the duration.

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Watch: Modesty Blaise share video for ‘Coral Mountain’ ahead of deluxe reissue

A quarter of a century ago, Modesty Blaise released a self titled album full of retro pop gems that took cues from various touchstones from the past, including The Beach Boys and The Zombies, and recycled them with love. A second record, ‘Melancholia’ improved on the formula, and at its best, the record flaunted a huge budget and equally big hooks. In terms of that kind of musical pilfering, Jellyfish became absolutely worshipped in the power pop community, and by comparison, Modesty Blaise have sort of become also-rans. That deserves to change.

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