THE REAL GONE SINGLES BAR #105

With two very different jazz numbers, a slice of alternative metal with a theatrical quality, a strong offering from a cult singer-songwriter and a track that’s practically uncategorisable, the selection for this Singles Bar adopts a little more of a “go hard or go home” approach. By casting a light on a couple of the more adventurous tracks from the last couple of weeks, this bunch of tunes might take a little longer to make an impression, but we feel that every one of these artists is bringing something of great interest to the table. What’s more, it’s probably just the beginning of a great, creative period for some of the featured performers, whether genuinely attempting to push boundaries or choosing to share some solidly familiar riffs. As always, we hope you find something new to enjoy!

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THE REAL GONE SINGLES BAR #97

Featured at the Singles Bar this time around, you’ll find a couple of familiar names. You’ll also uncover a world of eclectic sounds ranging from jazz, to light country, to calypso. There’s also a really quirky piece of pop and an almost unrecognisable cover tune to be found amongst the eight picks. With submissions still coming in at a frightening rate, we’ve certainly not been short of musical choices, but we feel that these definitely represent some of the most interesting sounds to be found at present. As always, we hope you discover a new audio treat or two along the way.

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THE REAL GONE SINGLES BAR #93

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time out, we’ve got the return of a much-loved pop band, a laid back narrative piece from a very familiar name, a great synth oriented workout, some huge riffs from the Medway area in South East England…and more besides. As is often the case with the SB, there’s no genre snobbery; just a spotlight on things we’ve found interesting. Hopefully, you’ll find something of interest too.

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THE REAL GONE SINGLES BAR #91

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the previous few weeks. This selection takes in a couple of familiar acts – a massively cult Australian band, and someone making yet another return to the SB. As usual, the selection of tunes also explores a few slightly less familiar avenues. You’ll discover a slice of jazzy, downbeat singer songwriter fare, something with a strong soul bias, and even a new offering from a cult post punk act. As with the best previous Singles Bars, we’ve given no bias towards any particular genre, and feel that this particular selection really highlights how much good music has started to emerge now that 2025 is properly underway. Enjoy!

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KELSEY MICHAEL – Lethowsow

With its sweeping piano lines and jazzy bass, ‘Gry Maritha’ – the opening track from Kelsey Michael’s debut long player ‘Lethowsow’ – channels material from Joni Mitchell’s ‘Court & Spark’ and ‘Hissing of Summer Lawns’ period, but with the help of a swooning melody and vocal choir, it quickly takes on more of its own identity. Michael’s rich vocal joins a really great sounding tune, and although her voice is used very much carries the melody (as you’d expect), it never dominates the track as a whole. The song’s middle section gives way to some brilliant harp work capturing a dream-like quality, and an unexpected coda finds the band launching into a jazzier groove where the piano and bass come together in a way sounds like a welcome throwback to a McCoy Tyner recording. It’s at this point the listener could become aware of experiencing something rather special.

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